Approved-by: Tomas Härdin <tomas.hardin@codemill.se>
Approved-by: tim nicholson <nichot20@yahoo.com>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
* commit 'd2869aea0494d3a20d53d5034cd41dbb488eb133':
dsputil: Move MMX/SSE2-optimized IDCT bits to the x86 subdirectory
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '422e14f721c22cf9c19a8e7aae051ba9d559f6b6':
indeo2: rename stride to pitch for consistency with other Indeo decoders
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit 'a7fcd4122b19b0f934020f4e261d0c44c4c32e11':
output example: store the scaling context in the stream context
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '6a927d7aaf5625e83a674072913b9e292a303fd1':
output example: use a macro instead of a static variable
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '63fd0d866c8300a8f251a15b1535e9ce40a407fb':
output example: allocate the audio frame only once
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit 'edd5f957646dcbf1bb55718bc7bf1e5481c25bcb':
output example: use OutputStream for audio streams as well
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '5e7b125b6ae36893dfd9cb5661c99b67363cbb38':
output example: use the new AVFrame API to allocate audio frames
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '294daf71a7a1303b5ddd3cbefebed3b732d610f3':
output example: use a struct to bundle the video stream variables together
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '38d044429dabcd28928693240e955c6d4430cca9':
output example: use the new AVFrame API for allocating the video frame
Conflicts:
doc/examples/muxing.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '3f4edf012593c73941caa0ef9b292da00225c3df':
dump_stream: print the timebase as is, do not reduce it
See: 75511c293a
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '1b04eb20f7e3f0a71f73ba91efcc3d60a435e443':
lavc: do not allocate edges in the default get_buffer2()
Conflicts:
libavcodec/utils.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
This also changes hfix8_mmx and above to use mmx regs instead of
gprs, and makes emulated_edge_mc_sse and emulated_edge_mc_sse2 use
mmxext hfix and hvar functions instead of mmx where possible.
This is mostly in preparation for an ssse3 version.
Signed-off-by: James Almer <jamrial@gmail.com>
code is about 1 cpu cycle faster approximately
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
It makes more sense to print the timebase exactly as it is set. Also,
this avoids a divide by zero when av_dump_format() is called on a format
context before writing the header.
in this case current MB size is forced to 16x16 (AVS standard section 9.9.1)
Signed-off-by: Yao Wang <jiayaowang@gmail.com>
Fixes Ticket 1901
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
* commit '593d2326ef985cdffe413df629419938f7b07c4c':
dv: Replace a magic number by sizeof()
Conflicts:
libavcodec/dv.c
Merged-by: Michael Niedermayer <michaelni@gmx.at>
* commit '5ab03e41e553452118113d0c224fa32b325e45e5':
x86: h264dsp: Fix link failure with optimizations disabled
Merged-by: Michael Niedermayer <michaelni@gmx.at>
There are interoperability issues with D-10 related to the channelcount property in the generic sound essence descriptor.
On one side, SMPTE 386M requires channel count to be 4 or 8, other values being prohibited.
The most widespread value is 8, which seems straightforward as it is the actual size of the allocated structure/disk space.
At the end, it appears that some vendors or workflows do require this descriptor to be 8, and otherwise just "fail".
On the other side, at least AVID and ffmpeg do write/set the channel count to the exact number of channels really "used",
usually 2 or 4, or any other value. And on the decoding side, ffmpeg (for example) make use of the channel count for probing
and only expose this limited number of audio streams
(which make sense but has strong impact on ffmpeg command line usage, output, and downstream workflow).
At the end, I find it pretty usefull to simply give ffmpeg the ability to force/set the channel count to any value the user wants.
(there are turnaround using complex filters, pans, amerge etc., but it is quite boring and requires the command line to be adapted to the input file properties)
Reviewed-by: Matthieu Bouron <matthieu.bouron@gmail.com>
Signed-off-by: Michael Niedermayer <michaelni@gmx.at>
