Notice that the order of the APIC tracks is currently wrong. This is
a superposition of two bugs: (i) Both muxers write the attached
pictures in the order they arrive in the muxer and not in the
stream_index order, leading to attached pictures that are copied being
written earlier because their timestamp is AV_NOPTS_VALUE, whereas the
timestamp of the encoded pictures is 0. (ii) A bug in the id3v2 parsing
code reverses the order of the parsed pictures.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
Specifically test that the WebVTT flavour is correctly mapped to
the Matroska/WebM CodecID and back; and test that dispositions
unsupported by WebM are discarded even when they would be supported
by Matroska.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@outlook.com>
This makes av_read_frame() return packets with proper timestamps.
As a result, seeking now works in combination with streamcopy.
A FATE-test for this has been added.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
The test sample has to have no file extension, otherwise probing
happens to work, based off file extension alone, and we want to
test the actual probing function.
Signed-off-by: Derek Buitenhuis <derek.buitenhuis@gmail.com>
Enables writing TTML documents or encoded TTML paragraphs as such
documents.
Additionally, a test for the combined TTML encoder and muxer has
been added to validate that the components still work.
Signed-off-by: Jan Ekström <jan.ekstrom@24i.com>
It only got added recently, and the new name makes it consistent with
product_version_num in the next patch.
Signed-off-by: Marton Balint <cus@passwd.hu>
The FF_API macros are private and must not be used by external callers.
As the fields in question are to be removed without replacement, just
drop them.
The fields are:
AVPacket.convergence_duration
AVCodecContext.time_base
AVCodecContext.timecode_frame_start
AV_PIX_FMT_FLAG_PSEUDOPAL pixel descriptor flag
This provides coverage for writing BlockGroups with BlockAdditional
and ReferenceBlock elements. It also tests setting the hearing impaired
disposition (it fits given that this video has no audio so one needs to
be able to read lips to understand anything).
Reviewed-by: Ridley Combs <rcombs@rcombs.me>
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
The FATE suite already contains a file containing mastering display
and content light level metadata: Meridian-Apple_ProResProxy-HDR10.mxf
This file is used to test both the Matroska muxer and demuxer.
Reviewed-by: Ridley Combs <rcombs@rcombs.me>
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
The mxf_d10 muxer is very picky regarding the input it accepts:
The only video accepted is MPEG-2 with absolutely constant bitrate,
i.e. all packets need to have exactly the same size; and only a few
bitrates are accepted.
The sample file used did not abide by this: Writing the first packet
(a video packet) errors out and afterwards an audio packet from the
muxing queue has been written. That's all besides metadata (which this
test is about). The FFmpeg cli returned an error, but said error has
been ignored by the md5 test.
This commit changes the test to actually send a compliant stream to the
muxer, so that it does not error out; furthermore, the test is changed
to explicitly check the metadata instead of it only being implicitly
included in the md5 checksum. The compliant stream is created by our
encoder at runtime.
Finally, the test now also covers writing user-specified
product/company/version identification.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
Also, test modifying colorspace properties and the default_mode
passthrough which is used here to create a file that has no default
track at all.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
It furthermore tests the demuxer's handling of chained SeekHeads,
level 1-elements after the Clusters and the muxer's capability of
writing huge TrackNumbers as well as expanding the Cues' length field
by one byte if necessary to fill the reserved space. It also tests
propagation of metadata.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
MJPEG does not have a single quantiser scale, so this does not fit into
the intended API use.
This removes the last use of the long-deprecated QP table API.
If the edit lists remove parts of the output timeline, or add a
delay to it, this should be included in the mvhd/tkhd/mdhd durations,
which should correspond to the edit lists.
For tracks starting with pts < 0, the edit list trims out the segment
before pts=0. For tracks starting with pts > 0, a delay element is
added in the edit list, delaying the start of the track data.
In both cases, the practical effect is that the post-edit output
is as if the track had started with pts = 0. Thus calculate the range
from pts=0 to end_pts, for the purposes of mvhd/tkhd/mdhd, unless
edit lists explicitly are disabled.
mov_write_edts_tag needs to operate on the actual pts duration of
the track samples, not the duration that already takes the edit
list effect into account.
Signed-off-by: Martin Storsjö <martin@martin.st>
The AC3 encoder used to be a separate library called "Aften", which
got merged into libavcodec (literally, SVN commits and all).
The merge preserved as much features from the library as possible.
The code had two versions - a fixed point version and a floating
point version. FFmpeg had floating point DSP code used by other
codecs, the AC3 decoder including, so the floating-point DSP was
simply replaced with FFmpeg's own functions.
However, FFmpeg had no fixed-point audio code at that point. So
the encoder brought along its own fixed-point DSP functions,
including a fixed-point MDCT.
The fixed-point MDCT itself is trivially just a float MDCT with a
different type and each multiply being a fixed-point multiply.
So over time, it got refactored, and the FFT used for all other codecs
was templated.
Due to design decisions at the time, the fixed-point version of the
encoder operates at 16-bits of precision. Although convenient, this,
even at the time, was inadequate and inefficient. The encoder is noisy,
does not produce output comparable to the float encoder, and even
rings at higher frequencies due to the badly approximated winow function.
Enter MIPS (owned by Imagination Technologies at the time). They wanted
quick fixed-point decoding on their FPUless cores. So they contributed
patches to template the AC3 decoder so it had both a fixed-point
and a floating-point version. They also did the same for the AAC decoder.
They however, used 32-bit samples. Not 16-bits. And we did not have
32-bit fixed-point DSP functions, including an MDCT. But instead of
templating our MDCT to output 3 versions (float, 32-bit fixed and 16-bit fixed),
they simply copy-pasted their own MDCT into ours, and completely
ifdeffed our own MDCT code out if a 32-bit fixed point MDCT was selected.
This is also the status quo nowadays - 2 separate MDCTs, one which
produces floating point and 16-bit fixed point versions, and one
sort-of integrated which produces 32-bit MDCT.
MIPS weren't all that interested in encoding, so they left the encoder
as-is, and they didn't care much about the ifdeffery, mess or quality - it's
not their problem.
So the MDCT/FFT code has always been a thorn in anyone looking to clean up
code's eye.
Backstory over. Internally AC3 operates on 25-bit fixed-point coefficients.
So for the floating point version, the encoder simply runs the float MDCT,
and converts the resulting coefficients to 25-bit fixed-point, as AC3 is inherently
a fixed-point codec. For the fixed-point version, the input is 16-bit samples,
so to maximize precision the frame samples are analyzed and the highest set
bit is detected via ac3_max_msb_abs_int16(), and the coefficients are then
scaled up via ac3_lshift_int16(), so the input for the FFT is always at least 14 bits,
computed in normalize_samples(). After FFT, the coefficients are scaled up to 25 bits.
This patch simply changes the encoder to accept 32-bit samples, reusing
the already well-optimized 32-bit MDCT code, allowing us to clean up and drop
a large part of a very messy code of ours, as well as prepare for the future lavu/tx
conversion. The coefficients are simply scaled down to 25 bits during windowing,
skipping 2 separate scalings, as the hacks to extend precision are simply no longer
necessary. There's no point in running the MDCT always at 32 bits when you're
going to drop 6 bits off anyway, the headroom is plenty, and the MDCT rounds
properly.
This also makes the encoder even slightly more accurate over the float version,
as there's no coefficient conversion step necessary.
SIZE SAVINGS:
ARM32:
HARDCODED TABLES:
BASE - 10709590
DROP DSP - 10702872 - diff: -6.56KiB
DROP MDCT - 10667932 - diff: -34.12KiB - both: -40.68KiB
DROP FFT - 10336652 - diff: -323.52KiB - all: -364.20KiB
SOFTCODED TABLES:
BASE - 9685096
DROP DSP - 9678378 - diff: -6.56KiB
DROP MDCT - 9643466 - diff: -34.09KiB - both: -40.65KiB
DROP FFT - 9573918 - diff: -67.92KiB - all: -108.57KiB
ARM64:
HARDCODED TABLES:
BASE - 14641112
DROP DSP - 14633806 - diff: -7.13KiB
DROP MDCT - 14604812 - diff: -28.31KiB - both: -35.45KiB
DROP FFT - 14286826 - diff: -310.53KiB - all: -345.98KiB
SOFTCODED TABLES:
BASE - 13636238
DROP DSP - 13628932 - diff: -7.13KiB
DROP MDCT - 13599866 - diff: -28.38KiB - both: -35.52KiB
DROP FFT - 13542080 - diff: -56.43KiB - all: -91.95KiB
x86:
HARDCODED TABLES:
BASE - 12367336
DROP DSP - 12354698 - diff: -12.34KiB
DROP MDCT - 12331024 - diff: -23.12KiB - both: -35.46KiB
DROP FFT - 12029788 - diff: -294.18KiB - all: -329.64KiB
SOFTCODED TABLES:
BASE - 11358094
DROP DSP - 11345456 - diff: -12.34KiB
DROP MDCT - 11321742 - diff: -23.16KiB - both: -35.50KiB
DROP FFT - 11276946 - diff: -43.75KiB - all: -79.25KiB
PERFORMANCE (10min random s32le):
ARM32 - before - 39.9x - 0m15.046s
ARM32 - after - 28.2x - 0m21.525s
Speed: -30%
ARM64 - before - 36.1x - 0m16.637s
ARM64 - after - 36.0x - 0m16.727s
Speed: -0.5%
x86 - before - 184x - 0m3.277s
x86 - after - 190x - 0m3.187s
Speed: +3%
Fixes a decoding regression introduced by e9a2a87773, and as a side effect also
fixes bogus values set to certain audio frames that had some samples discarded,
where the offsets added to pts, pkt_dts and pkt_duration were not reflected in
best_effort_timestamp.
Signed-off-by: James Almer <jamrial@gmail.com>
SMVJPEG stores frames as slices of a big JPEG image. The decoder is
implemented as a wrapper that instantiates a full internal MJPEG
decoder, then forwards the decoded frames with offset data pointers.
This is unnecessarily complex and fragile, not supporting useful decoder
capabilities like direct rendering.
Re-implement the decoder inside the MJPEG decoder, which is accomplished
by returning each decoded frame multiple times, setting cropping
information appropriately on each instance.
One peculiar aspect of the previous design is that since
- the smvjpeg decoder returns one frame per input packet
- there are multiple frames in each packets (the aformentioned slices)
the demuxer needs to return each packet multiple times.
This is now also eliminated - the demuxer now returns each packet
exactly once, with the duration set to the number of frames it decodes
to.
This also removes one of the last remaining internal uses of the old
video decoding API.
It depends on the muxer generating the timestamps, which is deprecated
and scheduled for removal on next bump.
A bunch of tests change timestamps, because of ffmpeg.c is not
generating them correctly. This should be fixed later.
Factor out the code into a separate muxing-specific function.
Stop accessing the deprecated AVStream-embedded codec context, use the
average framerate (if specified) instead.
While the FATE suite contains a sample file for Musepack 8, it did not
use it to test the decoder; it is only used in the mpc8-demux test that
tests the demuxer via streamcopy. Therefore this commit adds an actual
encoder test.
The test uses the framecrc output, because Musepack SV8 is an encoder
that returns multiple frames for a single packet, so that timing
information in the test output is valueable. Output seeking has been
used in order to limit the size of the ref file as well as to test this
codepath for the first time.
Signed-off-by: Andreas Rheinhardt <andreas.rheinhardt@gmail.com>
We now have the possibility of getting AVFrames here, and we should
not touch the muxer's codecpar after writing the header.
Results of FATE tests change as the MXF and Matroska muxers actually
write down the field/frame coding type of a stream in their
respective headers. Before this change, these values in codecpar
would only be set after the muxer was initialized. Now, the
information is also available for encoder and muxer initialization.
This disallows the usage of ? and # in libavformat specific scheme options
(e.g. subfile,,start,32815239,end,0,,:video.ts) but this change was considered
acceptable.
Signed-off-by: ruiquan.crq <caihaoning83@gmail.com>
Signed-off-by: Marton Balint <cus@passwd.hu>
These conversion appears to be exhibiting the same rounding error as the rgbf32 formats where.
I seperated the rounding value from the 16 and 128 offsets, I think it makes it a little more clear.
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
changes since v1:
- made into fate test
- fixed c90 warnings
- tests more intermediate formats
- tested on BE mips too
Signed-off-by: Michael Niedermayer <michael@niedermayer.cc>
This is utilized by various media ingests to figure out the bit
rate of the content you are pushing towards it, so write it for
video, audio and subtitle tracks in case at least one nonzero value
is available. It is only mentioned for timed metadata sample
descriptions in QTFF, so limit it only to ISOBMFF (MODE_MP4) mode.
Updates the FATE tests which have their results changed due to the
20 extra bytes being written per track.
This AV1 decoder is currently only used for hardware accelerated decoding.
It can be extended into a native decoder in the future, so set its name to
"av1" and temporarily give it the lowest priority in the codec list.
Signed-off-by: Fei Wang <fei.w.wang@intel.com>
Signed-off-by: James Almer <jamrial@gmail.com>
Allow to set the EOF timestamp.
Also: doc/filters/testsrc*: specify the rounding of the duration option.
The changes in the ref files are right.
For filter-fps-down, the graph is testsrc2=r=7:d=3.5,fps=3.
3.5=24.5/7, so the EOF of testsrc2 will have PTS 25/7.
25/7=(10+5/7)/3, so the EOF PTS for fps should be 11/7,
and the output should contain a frame at PTS 10.
For filter-fps-up, the graph is testsrc2=r=3:d=2,fps=7,
for filter-fps-up-round-down and filter-fps-up-round-up
it is the same with explicit rounding options.
But there is no rounding: testsrc2 produces exactly 6 frames
and 2 seconds, fps converts it into exactly 14 frames.
The tests should probably be adjusted to restore them to
a useful coverage.
The dvbsubtest_filter.ts sample is a filtered version of the Videolan
sample database (samples/sub/dvbsub/dvbsubtest.ts) using Project X. It
originates from ticket #8844.
The write_colr flag has been marked as experimental for over 5 years.
It should be safe to enable its behavior by default as follows:
- Write the colr atom by default for mp4/mov if any of the following:
- The primaries/trc/matrix are all specified, OR
- There is an ICC profile, OR
- The user specified +write_colr
- Keep the write_colr flag for situations where the user wants to
write the colr atom even if the color info is unspecified (e.g.,
http://ffmpeg.org/pipermail/ffmpeg-devel/2020-March/259334.html)
This fixes https://trac.ffmpeg.org/ticket/7961
Signed-off-by: Michael Bradshaw <mjbshaw@google.com>
The new code is analog to how it's done in our mpegaudio parser.
Acked-by: Jun Zhao <barryjzhao@tencent.com>
Signed-off-by: Alexander Strasser <eclipse7@gmx.net>
Also add and update some tests.
Change the semantic a little, because for filesytem paths
symlinks complicate things.
See the comments in the code for detail.
Fix trac tickets #8813 and 8814.
Reads color_primaries, color_trc and color_space from mxf
headers. ULs are from https://registry.smpte-ra.org/ site.
Signed-off-by: Harry Mallon <harry.mallon@codex.online>
add probeaudiostream for get audio stream's codec_name,codec_time_base,
sample_fmt,channels and channel_layout.
Signed-off-by: Steven Liu <lq@chinaffmpeg.org>
Important part of this algorithm is the double threshold step: pixels
above "high" threshold being kept, pixels below "low" threshold dropped,
pixels in between (weak edges) are kept if they are neighboring "high"
pixels.
The weak edge check uses a neighboring context and should not be applied
on the plane's border. The condition was incorrect and has been fixed in
the commit.
Signed-off-by: Andriy Gelman <andriy.gelman@gmail.com>
Reviewed-by: Andriy Gelman <andriy.gelman@gmail.com>
floating point precision will cause rgb*max generate different value on
x86_32 and x86_64. have pass fate test on x86_32 and x86_64 by using
lrintf to get the nearest integral value for rgb * max before av_clip.
Reviewed-by: Paul B Mahol <onemda@gmail.com>
Signed-off-by: Limin Wang <lance.lmwang@gmail.com>
Now we just use one ADTS raw frame to calculate the bit rate, it's
lead to a larger error when get the duration from bit rate, the
improvement cumulate Nth ADTS frames to get the average bit rate.
e,g used the command get the duration like:
ffprobe -show_entries format=duration -i fate-suite/aac/foo.aac
before this improvement dump the duration=2.173935
after this improvement dump the duration=1.979267
in fact, the real duration can be get by command like:
ffmpeg -i fate-suite/aac/foo.aac -f null /dev/null with time=00:00:01.97
Also update the fate-adtstoasc_ticket3715.
Signed-off-by: Jun Zhao <barryjzhao@tencent.com>
This causes regressions in end to end timestamps with mp3s and ffmpeg.
The revert is to avoid this regression in the 4.3 release
See: [FFmpeg-devel] [PATCH] Don't adjust start time for MP3 files; packets are not adjusted.
This reverts commit 460132c998.
7546ac2fee made it so that the start_time for mp3 files is
adjusted for skip_samples. However, this appears incorrect because
subsequent packet timestamps are not adjusted and skip_samples are
applied by deleting data from a packet without changing the timestamp.
E.g., we are told the start_time is ~25ms and we get a packet with a
timestamp of 0 that has had the skip_samples discarded from it. As such
rendering engines may incorrectly discard everything prior to the
25ms thinking that is where playback should officially start. Since the
samples were deleted without adjusting timestamps though, the true
start_time is still 0.
Other formats like MP4 with edit lists will adjust both the start
time and the timestamps of subsequent packets to avoid this issue.
Signed-off-by: Dale Curtis <dalecurtis@chromium.org>
Signed-off-by: Anton Khirnov <anton@khirnov.net>
