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FFmpeg/tests/fate/ac3.mak
Martin Storsjö ba13606ca6 fate: Add a --target-samples path parameter
This allows having the samples accessible via different paths
on the target and on the host.

Signed-off-by: Martin Storsjö <martin@martin.st>
2013-05-28 17:16:54 +03:00

75 lines
3.5 KiB
Makefile

FATE_AC3 += fate-ac3-2.0
fate-ac3-2.0: CMD = pcm -i $(TARGET_SAMPLES)/ac3/monsters_inc_2.0_192_small.ac3
fate-ac3-2.0: REF = $(SAMPLES)/ac3/monsters_inc_2.0_192_small_v2.pcm
FATE_AC3 += fate-ac3-4.0
fate-ac3-4.0: CMD = pcm -i $(TARGET_SAMPLES)/ac3/millers_crossing_4.0.ac3
fate-ac3-4.0: REF = $(SAMPLES)/ac3/millers_crossing_4.0_v2.pcm
FATE_AC3 += fate-ac3-4.0-downmix-mono
fate-ac3-4.0-downmix-mono: CMD = pcm -request_channels 1 -i $(TARGET_SAMPLES)/ac3/millers_crossing_4.0.ac3
fate-ac3-4.0-downmix-mono: REF = $(SAMPLES)/ac3/millers_crossing_4.0_mono_v2.pcm
FATE_AC3 += fate-ac3-4.0-downmix-stereo
fate-ac3-4.0-downmix-stereo: CMD = pcm -request_channels 2 -i $(TARGET_SAMPLES)/ac3/millers_crossing_4.0.ac3
fate-ac3-4.0-downmix-stereo: REF = $(SAMPLES)/ac3/millers_crossing_4.0_stereo_v2.pcm
FATE_AC3 += fate-ac3-5.1
fate-ac3-5.1: CMD = pcm -i $(TARGET_SAMPLES)/ac3/monsters_inc_5.1_448_small.ac3
fate-ac3-5.1: REF = $(SAMPLES)/ac3/monsters_inc_5.1_448_small_v2.pcm
FATE_AC3 += fate-ac3-5.1-downmix-mono
fate-ac3-5.1-downmix-mono: CMD = pcm -request_channels 1 -i $(TARGET_SAMPLES)/ac3/monsters_inc_5.1_448_small.ac3
fate-ac3-5.1-downmix-mono: REF = $(SAMPLES)/ac3/monsters_inc_5.1_448_small_mono_v2.pcm
FATE_AC3 += fate-ac3-5.1-downmix-stereo
fate-ac3-5.1-downmix-stereo: CMD = pcm -request_channels 2 -i $(TARGET_SAMPLES)/ac3/monsters_inc_5.1_448_small.ac3
fate-ac3-5.1-downmix-stereo: REF = $(SAMPLES)/ac3/monsters_inc_5.1_448_small_stereo_v2.pcm
FATE_EAC3 += fate-eac3-1
fate-eac3-1: CMD = pcm -i $(TARGET_SAMPLES)/eac3/csi_miami_5.1_256_spx_small.eac3
fate-eac3-1: REF = $(SAMPLES)/eac3/csi_miami_5.1_256_spx_small_v2.pcm
FATE_EAC3 += fate-eac3-2
fate-eac3-2: CMD = pcm -i $(TARGET_SAMPLES)/eac3/csi_miami_stereo_128_spx_small.eac3
fate-eac3-2: REF = $(SAMPLES)/eac3/csi_miami_stereo_128_spx_small_v2.pcm
FATE_EAC3 += fate-eac3-3
fate-eac3-3: CMD = pcm -i $(TARGET_SAMPLES)/eac3/matrix2_commentary1_stereo_192_small.eac3
fate-eac3-3: REF = $(SAMPLES)/eac3/matrix2_commentary1_stereo_192_small_v2.pcm
FATE_EAC3 += fate-eac3-4
fate-eac3-4: CMD = pcm -i $(TARGET_SAMPLES)/eac3/serenity_english_5.1_1536_small.eac3
fate-eac3-4: REF = $(SAMPLES)/eac3/serenity_english_5.1_1536_small_v2.pcm
$(FATE_AC3) $(FATE_EAC3): CMP = oneoff
FATE_AC3-$(call DEMDEC, AC3, AC3) += $(FATE_AC3)
FATE_EAC3-$(call DEMDEC, EAC3, EAC3) += $(FATE_EAC3)
FATE_AC3-$(call ENCDEC, AC3, AC3) += fate-ac3-encode
fate-ac3-encode: CMD = enc_dec_pcm ac3 wav s16le $(subst $(SAMPLES),$(TARGET_SAMPLES),$(REF)) -c:a ac3 -b:a 128k
fate-ac3-encode: CMP_SHIFT = -1024
fate-ac3-encode: CMP_TARGET = 404.53
fate-ac3-encode: SIZE_TOLERANCE = 488
FATE_EAC3-$(call ENCDEC, EAC3, EAC3) += fate-eac3-encode
fate-eac3-encode: CMD = enc_dec_pcm eac3 wav s16le $(subst $(SAMPLES),$(TARGET_SAMPLES),$(REF)) -c:a eac3 -b:a 128k
fate-eac3-encode: CMP_SHIFT = -1024
fate-eac3-encode: CMP_TARGET = 516.94
fate-eac3-encode: SIZE_TOLERANCE = 488
fate-ac3-encode fate-eac3-encode: CMP = stddev
fate-ac3-encode fate-eac3-encode: REF = $(SAMPLES)/audio-reference/luckynight_2ch_44kHz_s16.wav
FATE_AC3-$(call ENCMUX, AC3_FIXED, AC3) += fate-ac3-fixed-encode
fate-ac3-fixed-encode: tests/data/asynth-44100-2.wav
fate-ac3-fixed-encode: SRC = $(TARGET_PATH)/tests/data/asynth-44100-2.wav
fate-ac3-fixed-encode: CMD = md5 -i $(SRC) -c ac3_fixed -b 128k -f ac3 -flags bitexact
fate-ac3-fixed-encode: CMP = oneline
fate-ac3-fixed-encode: REF = a1d1fc116463b771abf5aef7ed37d7b1
FATE_SAMPLES_AVCONV += $(FATE_AC3-yes) $(FATE_EAC3-yes)
fate-ac3: $(FATE_AC3-yes) $(FATE_EAC3-yes)