[why]
If we have an empty input font (i.e. for Symbols Only font) and that
font has a gap.. That gap will be redistributed to a gapless font where
the ascenders and descenders are expanded to fill/keep the gap.
If the font has no height (i.e. == ) and a gap, the height will
afterwards be > 0 and the empty font detection breaks.
[how]
Detect empty fonts before gaps.
Fixes: #965
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Use of abs() looks like we do not know if the descenders are expected
to be positive or negative. But it is well defined.
Furthermore on abnormal fonts (where the descenders are nonexisting)
we can use the wrong value. Well, that is academic I guess.
[how]
In our own `ymin` value we store a value like os2_descender, which means
that it is on the same axis as the ascender (ymax). Typical values where
the baseline is on y-coordinate 0 ymax will be positive and ymin (being
below the baseline) will be negative.
The total height has to be calculated from adding ascender + -descender
(when the descenders are lower than the ascenders, which is guaranteed).
The older descender values have positive values; are on an opposite y
axis... The height with them would be ascender + descender.
Well, WE have in the font_dim os2-like values...
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
For some fonts the calculated checksum(s) was wrong.
[how]
Misplaced the multiplier ... the LSB shall not be shifted of course, but
the current code shifts as last action: Also the LSB is shifted.
First shift (old) accumulated content, then add new data.
In that way the last added data (LSB) is not shifted.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
We just ignore specified gaps in the source fonts (i.e. set them to
zero). This reduces the line spacing in the patched font (because the
gap is missing).
[how]
Distribute the gap INTO the cell, so that we can work with zero gap (we
need that for the powerline glyphs), and still keeping the powerline
glyphs centered about the regular glyphs AND keeping the total line
spacing.
Idea-by: Tushar Singh <tusharvickey1999@gmail.com>
Fixes: #850
Reported-by: Joe Bolts
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
When the source font is proportional we can not really create a
monospaced (patched) font from it. The glyph width is for example very
small for 'i' but wide for 'W'.
The glyphs are all left aligned, leaving very strange separation between
smallish glyphs.
Even if we would center the glyphs, the look would be strange and
completely differenmt from the source font's look.
[how]
For proportional fonts do not allow to patch with `--mono`.
The fact if a source font is monospaced is determined by examining some
(very few) glyphs. But testing all our source fonts in the repo shows
that it is sufficient.
Furthermore the Panose flag is checked and differences between the flag
and what the glyph examination found are reported.
The user can enforce `Nerd Font Mono` generation with double specifying
the command line option `--mono --mono`. Still a warning will be issued.
[note]
Because `gotta-patch-em-all-font-patcher!.sh` does not really count the
variations but calculates them in a separate loop it does not know
anymore how many variations are created per family. The numbers are
wrong.
But probably we should count the result font files in the end anyhow.
Because the information is not needed (in an automated manner) this is
not corrected here.
It seems wrong anyhow:
total_variation_count=$((total_variation_count+combination_count))
total_count=$((total_count+complete_variations_per_family+combination_count))
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The patch set table has 'contradicting' or 'complicated' entries.
[how]
When we use exact patching a SrcStart will be ignored and shall be None
to make that clear.
The other two cases patch in only one glyph, make the entries more easy
we could either make them 'exact' (reuse source codepoint) or specify a
SrcStart. At the moment they rely on the (hidden?) rule that non-exact
entries without SrcStart still reuse the SymStart...
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The Font Logos and Octicons codepoints depend on the parallel existence
of FontAwesome. I.e. Font Logos is shifted of Octicons or FontAwesome is
also present in the patched font; Octicons is shifted if FontAwesome is
present.
This means that people, although using a Nerd Font, can expect the
symbols in different locations. The reason is clear; people that just
want one or some symbols and use a specifically patched font will be
able to use the original symbol font codepoints.
But I guess that these uses are nonexisting. Almost all will use
'complete' patched fonts and that is what we deliver and document.
To make the documentation less complicated we should fix the code point
ranges that a specific symbol set will be patched in at.
[how]
Just drop the associated functions and use a False constant instead.
[note]
The two possible places where Octicons / Font Logos ends up are there
since they have been added back in 2015/6 (commits 9620d47ae, f933b5a2).
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
In patch set definitions we have for the source ranges SymStart and SymEnd
and for the destination we can specify SrcStart and SrcEnd
The SrcEnd can be automatically generated. For SrcEnd values that differ
from the autogenerated value (are lower) the script would crash, or (are
higher) ignore them anyhow.
There are two modes: 'exact = True' and 'exact = False'.
The SrcStart and SrcEnd values are ignored if exact is True, because the
glyphs are patched into the same codepoint where they originate. This
also means that gaps in the symbols are preserved - all patched in
glyphs have the same codepoint as they have in the source (symbol) font.
When exact is False on the other hand, all (non empty) glyphs are filled
into the codepoints that start at SrcStart. Gaps (empty glyphs) are
ignored and thus are not present as gap in the patched font anymore (*).
The to-be-filled-next codepoint in the patched font just increases by 1
on every filled symbol.
See note for the reason.
This also makes maintining the patch set easier as noone needs to
'calculate' a SrcEnd value anymore.
[how]
Use directly the start value and the counter instead of filling an array
with a range, that is then indexed by the counter.
Before this commit:
list_of_patched_font_codepoints = list(range(SrcStart, SrcEnd + 1))
current_codepoint = list_of_patched_font_codepoints[loop_counter]
After this commit:
current_codepoint = SrcStart + loop_counter
[note]
Maybe related to code removed with c728079b6.
I guess the code uses the list, because it has been believed that glyphs
can only be indexed by strings containing a hex number. The array
supposedly contained that strings.
But in fact the fontforge python module docu is like this:
font.__getitem__(key)
If key is an integer, then returns the glyph at that encoding.
If a string then returns the glyph with that name.
May not be assigned to.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The font flags and PPEM fix does not work with font collection files,
because it does not know how to handle them. It assumes a ttf or otf
font with the specified table structure.
The fix (for single font files) has been introduced with commit
40138bee9 font-patcher: Handle lowestRecPPEM
[how]
Check if the file is of type 'ttcf', and if so fast forward to the given
single font index into the collection.
This can be rather slow...
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
With the new TTC feature we might increase the minor number ;-)
This is not just a bugfix.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Someone might want to patch a whole lot of fonts that come in a ttc.
[how]
Just open all fonts that the input file contains (1 or more) and create
a single font or collection font file.
The automatic layer detection does not work in all cases for me, so we
need to manually search for the foreground layer (usually '1').
Code inspiration taken from
https://github.com/powerline/fontpatcher/pull/6
[note]
Changed output in the end to the filename (before it was the font name),
so that one can easily copy&paste or open that file.
Reported-by: Lily Ballard <lily@ballards.net>
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
These operations are also not strictly patching.
When we want to handle more than one font we need to have this outside
the patch() function.
[how]
Put opening and exporting (previously in __init__() and patch() into
main() outside the patcher object.
No functional change (except the sourceFont is now closed :->)
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The extension handling is a bit out-of-place and could be handled by the
arguments handling, which simplifies the code.
Somes goes for other argument validity checks.
[how]
Put argument checks into setup_arguments().
Dropping self.extensions in favour of self.args.extensions.
No functional change.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Parsing the command line arguments has nothing to do with the actual
patching.
If we want to patch more than one font we need to separate the partching
from unrelated work.
[how]
Just do the argument processing in main() and hand the information over
to the patcher object.
[note]
No functional change. Lines copied over (almost *) 1:1.
(*) Exceptions:
self.sym_font_args is now only a local variable, as it is only used in
this one function.
The startup message is shown on ... startup (i.e. main()).
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Only one tables is removed, even if we want to remove more.
With 0a480bb the indentation of the code has changed, and now the loop
is (apart from printing) empty. See also #934
[how]
Re-indent the lines to restore functionality as originally forseen with
commit 557fc00.
Reported-by: Rádler Ákos <akos.radler@gmail.com>
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Sometimes the patched-in symbols are slightly too big, which shows up in
Nerd Font Mono fonts where the destination size is specified exactly.
That issues a warning like:
Warning: Scaled glyph U+F077 wider than one monospace width
[how]
For the scaleGlyph groups we need to combine the bounding boxes of
several symbol glyphs to determine the 'combined' scale we need.
Unfortunately when the concrete glyph is finally copied over its size
can change minimally.
So we need to measure the glyphs in the scaleGroup _after_ they have
been copied to the to-be-patched font. This is a bit complicated,
because we need to know some glyph slot we can use for that.
[note]
See also commit
e805b879 font-patcher: Resolve rounding error when rescaling
Fixes: #917
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Windows Compatible fonts have the same Family name, regardless if they
are "Nerd Font" or "Nerd Font Mono".
This creates problems for appliations that sort and select fonts by
Family name.
[how]
Just like "Nerd Font" is abbreviated as "NF" in the Windows Family names
(to keep it short because of the 31 character length limit), the
"Nerd Font Mono" are now called "NFM" instead of just (also) "NF".
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Some symbol fonts might come with glyphs that have multiple codepoints.
When we want to patch them with `'Exact': true` (i.e. at their 'original'
codepoints) we want to patch them into the codepoint that has been used
in the selection process. That means between SymStart and SymEnd.
But this is not the case. We patch them in into their 'main' codepoint,
which can be outside the expected range of points.
This came up when patching with FontAwesome V6. It has for example these
glyphs:
Glyph 'music' has a main codepoint 0x1F3B5, but it is present in the
font also on codepoint 0xF001.
Glyph 'heard' has a main codepoint 0x1F9E1, but it is present in the
font also on codepoints 0x2665, 0x2764, 0xF004, 0xF08A, 0x1F499, ...
When doing a `'Exact': true` patch (i.e. exactEncoding = true) the
glyphs is patched into the target font at its (the glyph's) main
codepoint, regardless of our patch-codepoint-range.
[how]
We examine all codepoints that a glyph occupies in the symbol font. From
all these codepoints we take the nearest to the last glyph be patched
in. Nearest means from the possible codepoints the lowest that come
after the previous used codepoint.
For example the 'heard':
Last patched in codepoint was 0xF003.
Main codepoint: 0x1F9E1
Alternate codepoints: 0x2665, 0x2764, 0xF004, 0xF08A, 0x1F499, ...
-=> 0xF004
Later in the patching process we might encounter the same glyph again,
but this time the previous codepoint was 0xF089, so we need to take
0xF08A.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
When users just download the script (and not the source glyphs) the
script fails with an obscure error message.
[how]
Check if the glyphdir exists at all. If not give a hint to download the
glyphs.
Check if the individual glyph font exists and is readable. Bail out if
not.
[note]
Cherry picked, was part of #741
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
When one wants to use a custom symbol font and specifies it with an
absolute path, the glyphdir is still prepended.
That means that the argument to `--custom` is always used as relative
path (to `--glyphdir`), even when it starts with `/`. That is somehow
unexpected or at least inconvenient.
Example:
fontforge font-patcher --custom ~/Downloads/fa6.otf Inconsolata-Regular.otf
fa6.otf is searched for in ./src/glyphs/home/username/Downloads
[how]
Use Python function that handles joining path fragments. If a component is
an absolute path, all previous components are thrown away.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
I'm not sure why, but maybe the CI's Python is another version where the
syntax is not supported.
This has been introduced with commit
4a61afc83 font-patcher: Do not overwrite glyphs that are needed for basic glyphs
[how]
Use less sophisticated syntax.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Some glyphs that are tall and thin, are too big in the resulting patched
font, i.e. are higher than our 'line'.
At least for --mono fonts. The non-mono fonts do not rescale the
inserted glyphs at all, so there is no definition of 'too tall/wide'.
[how]
We want all glyphs to fit into the box defined by *_dim['height'] and
*_dim['widths'], as it also defines our powerline-glyph scaling and
horizontal and vertical advance widths.
So we need to take that value (instead of EM) for the scaling
calculation. The history of the use of EM here is a bit obscure, more
explanations in the PR.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Sometimes the basic glyphs ([a-zA-Z] etc) are constructed in the font
from other glyphs via references. To keep those basic glyphs intact we
must not touch the referenced glyphs.
[how]
Crate a list of all glyphs referenced by the basic glyphs.
When patching in some new symbol - if that codepoint is in the list do
not overwrite it. Overwriting would break a basic glyph.
The user does not get the glyph that we would have patched in, but that
can not be helped if we want to keep the basic glyphs intact and not
'redesign' the complete font.
Fixes: #400
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
When the fontforge python bindings are not installed we fail while
importing psMat. The message suggests that fontforge itself is not
installed - which is not the real reason. One can use the libfontforfge
with the python-fontforge without having the GUI program fontforge.
Furthermore we link to outdated installation instructions.
[how]
We already check and report correctly what needs to be done with the
fontforge module import. As both modules are often in the same package
we should probably report the same message. That message holds correct
hints for Debian/Ubuntu. It does not have a link to fontforge, though.
[note]
Also update Debian package name.
Fixes: #725
Reported-by: Aniket Teredesai <a@aniketteredesai.com>
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
For some powerline symbols we add a certain amount of overlap into the
previous or next character to cover up a small gap between the symbols
that otherwise can show up as ugly thin (usually colored) line.
But after we carefully design that glyph with a bit overlap (over-sized
and having negative bearings) we remove all bearings. That breaks of
course the glyph and no actual overlap on the left side happens.
[how]
Just do not remove negative bearings on overlap-enabled glyphs. As they
are rescaled in both directions anyhow all bearings are wanted and must
be kept.
Reported-by: Mihail Ivanchev <@MIvanchev>
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The params are half way handled as dict, but if unset it is an empty
string. That makes accessing it needlessly complicated.
[how]
With no functional change the params becomes now a dict, also when it
does not contain any particular information.
At the moment that seems not nessecary, as it can only contain one key:
'overlap'. We could also rename 'params' to 'overlap' and just store the
value.
But we keep the generic params dictionary as it might come in handy some
time in the far future when more parameters are added.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Theoretically we can produce 3 types on fonts:
* A: Strictly monospaced font
* B: Allow bigger symbols, but advance width still monospaced
* C: Allow bigger symbols, advance width will vary
All have their uses.
Historically Nerd Fonts produced A and B.
Then we had kind of a breaking change with 2.2.0 that it produces
now A and C.
The commit
b9b7a5080 Revert "Remove negative bearings on 2048-em glyphs"
restores the old (pre 2.2.0) behavior. But the type C fonts can be
useful, so maybe we can have them as option?
[how]
Add commandline option to be able to create all fonts types:
* A: specify -s or --mono or --use-single-width-glyphs
* B: specify nothing
* C: specify --variable-width-glyphs
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
This reverts commit 59c45ba4ef.
[why]
The commit breaks the non-mono Nerd Fonts for a lot of people.
The issue was not very good documented and investigation can not be
seen.
For the TITLE it should have affected only the 2048-em Symbols only
font, but in fact all patched fonts were changed. Maybe that was
intended, maybe not.
[how]
This will make the advance width again equal for all glyphs.
This enables the use of the non-mono variant in more terminals.
For wider symbols a space is now (again) needed after the symbol.
That is expected by a lot applications.
[note]
See Pull Request 764 for more details.
See next commits for alternative solution for original problem.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The normal and the Windows Compatible fonts differ just in the naming.
The patching is all the same.
For the CI we patch the original font for each output font. That is not
needed if we just want to create two differently named exports.
Skipping the patching where it is possible would save some time. Not
half the time, but the patching process itself is not too quick either.
[how]
Backup the original font names (as we need them again to deduce the new
Windows Compatible names).
Then do the patching once and the export twice, if parameter is given.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The patch() function also does the font generation. This makes it
impossible to generate two fonts from one patch run.
(Will be needed in next commit).
The name setup could be done later.
[note]
This is no functional change, just reordering.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
After generating the patched font only a shortened name is displayed.
[how]
Obviously the two output lines were swapped...
If the fullname is None, and then output the fullname? :-}
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
With commit
821ac6817 Create symbols only font directly from sfd template
we have a default width for source fonts without a width (i.e. empty
fonts).
Unfortunately the detection for 'empty font' is wrong.
[how]
Reorder the commands such that we have a meaningful calculation.
Maybe this has been broken by too many (manual) rebases.
Fixes: #895
Reported-by: redactedscribe
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
We show only the Release version of the patcher script. Often it is
unclear which particular script people are using.
[how]
Also show the script version. This is a bit frickle, as it needs
developers to change the number manually (as with all other scripts in
the project that have a script version), but so be it.
This could be replaced by the 'current' git hash. But that has the
drawback that one needs to search for the commit to see how old the
script is.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
When pulling the subfamily out of the sfnt_names SubFamily property,
we will get a subfamily with possible spaces, e.g. 'Bold Italic'.
When constructing the final unique font name (PostScript name), we
need to remove those spaces, to make the font name valid, otherwise
the font will fail validation with a warning when installing.
Fixes#413
[why]
People might want to use the font-patcher with just the one script file.
The error message does not help them to understand the problem.
[how]
Require the modules only if the user wants to use it (i.e. --makegroups).
Give the expected path in the error message.
We could also download the missing files instead, similar to #741
But that PR did not get any feedback yet, so I do not know if this is
something we want.
Anyhow, the fetching of missing parts should then be unified for both
usecases (i.e. Fontname* and src/glyphs).
And then, there is font-patcher.zip (which needs to be adapted), maybe
that is the way to go.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The option `--parser` instructs `font-patcher` to come up with the font
naming by utilizing the FontnameParser object.
This sounds logical from a programmers perspective, but the option name
is not descriptive for end users of `font-patcher`
[how]
As usual naming is hard. A short but maybe more descriptive name for the
option can be `--makegroups`; as it describes what the option means for
the end user: functioning font grouping.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
This reverts commit df42c917128701e9be199fb12d77a3fecad52cb1.
[why]
Having all the code in one big file is probably a maintenance nightmare.
We should develop other solutions to make the usage for end-users easy.
Future commits might do that.
[why]
The fontname for Windows can be quite unusable, for example
`CaskaydiaCoveNerdFontCompleteM-`
for several different fonts, as this is the maximum allowed length of 31
characters that is enforced.
The style/weight is completely lost.
[how]
Split the name into base and style (at a dash `-`) and just shrink the
base name. Result for example:
`CaskaydiaCoveN-ExtraLightItalic`
Use equal approach for the PostScriptName (although it is less likely
that length limit is ever met).
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
A lot people expect the font-patcher to be a stand alone script. They
even think that the source glyphs (symbols) to be added to be somehow
magically there and one PR makes sure that they are fetched if missing.
The same problem arises when we have a script distributed over multiple
files. For maintenance reasons and code quality this is what one wants.
But that might hinder easy use of the font-patcher.
[how]
Put all the code in the main script.
That has an additional drawback: For the nameparser_test* scripts to
work we need stand alone files for that classes. Now the code is
duplicated and will get out of sync.
I have no solution for that, and it all boils down what Nerd Font wants
to do.
One solution would be to have font-patcher properly set up / divided in
many .py files, and to create one monolithic font-patcher from all the
sources on demand (via github actions or manually when someone pushes
changes to any of the constituends). That approach is taken by a lot of
C++ 'header only libraries' that originally consist of a lot files but
create one big 'all in one' file automatically from all the small files.
For now I guess we can live with the duplication, but we need to think
about a solution, as this will bite us sooner or later.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
Some CJK fonts seem to have no Fullname.
[how]
But they have a Postscript name. Use that for parsing the names.
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
DO NOT MERGE
[why]
A lot of the fonts have incorrect naming after patching. A completely
different approach can help to come up with a consistent naming scheme.
[how]
See bin/scripts/name-parser/README.md
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
[why]
The symbol only fonts Symbols-1000-em Nerd Font Complete.ttf
and 2048-em in `NerdFontsSymbolsOnly/` are generated from
some 'almost' empty source fonts, that are assumable in turn generated
from the sfd font descriptions in `src/glyphs/`?
The process is not documented and we have issues in the generated font
(for example the glyph for capital `E` is defined (and empty) #581#765).
[how]
Use the existing font definitions from `src/glyphs/*.sfd` directly as
source font. That needs a change in font-patcher because the empty
fonts have no glyphs that can be used to orient the scaling upon. In
that case scale on the source font definitions EM.
Then we need patch-em-all to also patch *.sfd fonts.
And finally we need patch-em-all to take a font specific command line
switch for font-patcher (compare 9e2bc9a26 of #723) to instruct it to
create a ttf rather than a sfd font file.
In the sfd file we additionally set the Panose type.
And the UnderlinePosition is adjusted to match the current patched font.
[note]
Also fix wrong glob pattern in patch-em-all `*.[o,t]tf`. The comma is
for sure some leftover from a '{}' shell pattern, that is not used
anymore. (This comment is probably outdated, due to rebasing.)
Signed-off-by: Fini Jastrow <ulf.fini.jastrow@desy.de>
