mirror of
https://github.com/FFmpeg/FFmpeg.git
synced 2024-12-18 03:19:31 +02:00
lavf/assenc: normalize line endings to \n
Previously, we produced output with either \r\n or mixed line endings. This was undesirable unto itself, but also made working with patches affecting FATE output particularly challenging, especially via the mailing list. Everything that consumes the SSA/ASS format is line-ending-agnostic, so \n is selected to simplify git/ML usage in FATE. Extra \r characters at the end of a packet are dropped. These are always ignored by the renderer anyway.
This commit is contained in:
rcombs
parent
98eeef44aa
commit
7bf1b9b357
1
.gitattributes
vendored
1
.gitattributes
vendored
@ -1,2 +1 @@
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*.pnm -diff -text
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tests/ref/fate/sub-scc eol=crlf
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@ -21,6 +21,7 @@
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#include "libavutil/avstring.h"
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#include "avformat.h"
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#include "avio_internal.h"
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#include "internal.h"
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#include "mux.h"
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@ -70,13 +71,11 @@ static int write_header(AVFormatContext *s)
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ass->trailer = trailer;
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}
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header_size = av_strnlen(par->extradata, header_size);
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avio_write(s->pb, par->extradata, header_size);
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if (header_size && par->extradata[header_size - 1] != '\n')
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avio_write(s->pb, "\r\n", 2);
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ffio_write_lines(s->pb, par->extradata, header_size, NULL);
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ass->ssa_mode = !strstr(par->extradata, "\n[V4+ Styles]");
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if (!strstr(par->extradata, "\n[Events]"))
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avio_printf(s->pb, "[Events]\r\nFormat: %s, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text\r\n",
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avio_printf(s->pb, "[Events]\nFormat: %s, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text\n",
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ass->ssa_mode ? "Marked" : "Layer");
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}
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@ -96,7 +95,7 @@ static void purge_dialogues(AVFormatContext *s, int force)
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ass->expected_readorder, dialogue->readorder);
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ass->expected_readorder = dialogue->readorder;
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}
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avio_print(s->pb, "Dialogue: ", dialogue->line, "\r\n");
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avio_print(s->pb, "Dialogue: ", dialogue->line, "\n");
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if (dialogue == ass->last_added_dialogue)
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ass->last_added_dialogue = next;
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av_freep(&dialogue->line);
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@ -158,6 +157,7 @@ static int write_packet(AVFormatContext *s, AVPacket *pkt)
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ASSContext *ass = s->priv_data;
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long int layer;
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int text_len;
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char *p = pkt->data;
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int64_t start = pkt->pts;
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int64_t end = start + pkt->duration;
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@ -188,9 +188,13 @@ static int write_packet(AVFormatContext *s, AVPacket *pkt)
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if (hh1 > 9) hh1 = 9, mm1 = 59, ss1 = 59, ms1 = 99;
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if (hh2 > 9) hh2 = 9, mm2 = 59, ss2 = 59, ms2 = 99;
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dialogue->line = av_asprintf("%s%ld,%d:%02d:%02d.%02d,%d:%02d:%02d.%02d,%s",
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text_len = strlen(p);
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while (text_len > 0 && p[text_len - 1] == '\r' || p[text_len - 1] == '\n')
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text_len--;
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dialogue->line = av_asprintf("%s%ld,%d:%02d:%02d.%02d,%d:%02d:%02d.%02d,%.*s",
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ass->ssa_mode ? "Marked=" : "",
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layer, hh1, mm1, ss1, ms1, hh2, mm2, ss2, ms2, p);
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layer, hh1, mm1, ss1, ms1, hh2, mm2, ss2, ms2, text_len, p);
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if (!dialogue->line) {
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av_free(dialogue);
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return AVERROR(ENOMEM);
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@ -208,7 +212,7 @@ static int write_trailer(AVFormatContext *s)
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purge_dialogues(s, 1);
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if (ass->trailer) {
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avio_write(s->pb, ass->trailer, ass->trailer_size);
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ffio_write_lines(s->pb, ass->trailer, ass->trailer_size, NULL);
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}
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return 0;
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@ -1,47 +1,47 @@
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[Script Info]
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; Script generated by FFmpeg/Lavc
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ScriptType: v4.00+
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[V4+ Styles]
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Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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[Events]
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Dialogue: 0,0:03:33.36,0:03:35.76,Default,,0,0,0,,Zlato, jseš v pořádku?
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Dialogue: 0,0:03:37.72,0:03:39.12,Default,,0,0,0,,Měl jsi sny.
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Dialogue: 0,0:03:41.44,0:03:43.32,Default,,0,0,0,,Byly o Marsu?
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Dialogue: 0,0:03:48.92,0:03:50.52,Default,,0,0,0,,Je to lepší?
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Dialogue: 0,0:03:53.12,0:03:54.72,Default,,0,0,0,,Chudinko moje.
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Dialogue: 0,0:03:55.76,0:03:58.08,Default,,0,0,0,,Začíná to být\Nposedlost.
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Dialogue: 0,0:04:05.92,0:04:07.16,Default,,0,0,0,,Byla tam i ona?
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Dialogue: 0,0:04:09.12,0:04:10.48,Default,,0,0,0,,Kdo?
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Dialogue: 0,0:04:12.44,0:04:15.16,Default,,0,0,0,,Ta, o které jsi mi vyprávěl.\NTa bruneta.
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Dialogue: 0,0:04:16.32,0:04:17.52,Default,,0,0,0,,Lori.
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Dialogue: 0,0:04:20.32,0:04:23.16,Default,,0,0,0,,Nemůžu uvěřit\Nže žárlíš na sen.
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Dialogue: 0,0:04:23.84,0:04:26.60,Default,,0,0,0,,- Kdo je ona?\N- Nikdo.
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Dialogue: 0,0:04:26.60,0:04:28.80,Default,,0,0,0,,"Nikdo"? Jak se jmenuje?
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Dialogue: 0,0:04:28.80,0:04:30.24,Default,,0,0,0,,Nevím.
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Dialogue: 0,0:04:31.52,0:04:33.20,Default,,0,0,0,,- Pověz!\N- Nevím!
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Dialogue: 0,0:04:33.20,0:04:35.48,Default,,0,0,0,,Radši bys mi to měl říct!
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Dialogue: 0,0:04:35.48,0:04:39.16,Default,,0,0,0,,To není legrace Dougu.\NZdá se ti o ní každou noc.
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Dialogue: 0,0:04:39.16,0:04:41.84,Default,,0,0,0,,Ale vždy se ráno probudím.
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Dialogue: 0,0:04:41.84,0:04:43.28,Default,,0,0,0,,Nech mě být!
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||||
Dialogue: 0,0:04:45.72,0:04:47.76,Default,,0,0,0,,No tak, zlato.
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Dialogue: 0,0:04:47.76,0:04:50.72,Default,,0,0,0,,Ty víš, že jsi dívkou\Nmých snů.
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Dialogue: 0,0:04:50.72,0:04:52.40,Default,,0,0,0,,Myslíš to vážně?
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Dialogue: 0,0:04:53.48,0:04:55.32,Default,,0,0,0,,To víš že ano.
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||||
Dialogue: 0,0:05:04.40,0:05:07.20,Default,,0,0,0,,Dám ti něco\No čem budeš snít.
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Dialogue: 0,0:05:16.76,0:05:16.92,Default,,0,0,0,,Premiér se útoku ubránil\Na řekl, že zbraně založené na vesmírných...
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Dialogue: 0,0:05:16.92,0:05:20.36,Default,,0,0,0,,Premiér se útoku ubránil\Na řekl, že zbraně založené na vesmírných...
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Dialogue: 0,0:05:20.36,0:05:24.36,Default,,0,0,0,,jsou naše jediná obrana proti\Npočetní převaze z jižního bloku.
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Dialogue: 0,0:05:24.36,0:05:26.76,Default,,0,0,0,,A další násilí na Marsu...
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Dialogue: 0,0:05:26.76,1:44:16.00,Default,,0,0,0,,[...]
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Dialogue: 0,1:44:16.00,1:44:17.60,Default,,0,0,0,,Co se děje?
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Dialogue: 0,1:44:17.60,1:44:21.28,Default,,0,0,0,,Měl jsem jenom hroznou představu.\NCo když tohle je jenom sen?
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Dialogue: 0,1:44:22.76,1:44:25.68,Default,,0,0,0,,Tak mi dej ryhcle pusu\Nnež se probudíš.
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[Script Info]
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; Script generated by FFmpeg/Lavc
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ScriptType: v4.00+
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PlayResX: 384
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PlayResY: 288
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ScaledBorderAndShadow: yes
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YCbCr Matrix: None
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[V4+ Styles]
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Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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[Events]
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Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
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||||
Dialogue: 0,0:03:29.92,0:03:31.28,Default,,0,0,0,,Dougu?
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||||
Dialogue: 0,0:03:33.36,0:03:35.76,Default,,0,0,0,,Zlato, jseš v pořádku?
|
||||
Dialogue: 0,0:03:37.72,0:03:39.12,Default,,0,0,0,,Měl jsi sny.
|
||||
Dialogue: 0,0:03:41.44,0:03:43.32,Default,,0,0,0,,Byly o Marsu?
|
||||
Dialogue: 0,0:03:48.92,0:03:50.52,Default,,0,0,0,,Je to lepší?
|
||||
Dialogue: 0,0:03:53.12,0:03:54.72,Default,,0,0,0,,Chudinko moje.
|
||||
Dialogue: 0,0:03:55.76,0:03:58.08,Default,,0,0,0,,Začíná to být\Nposedlost.
|
||||
Dialogue: 0,0:04:05.92,0:04:07.16,Default,,0,0,0,,Byla tam i ona?
|
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Dialogue: 0,0:04:09.12,0:04:10.48,Default,,0,0,0,,Kdo?
|
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Dialogue: 0,0:04:12.44,0:04:15.16,Default,,0,0,0,,Ta, o které jsi mi vyprávěl.\NTa bruneta.
|
||||
Dialogue: 0,0:04:16.32,0:04:17.52,Default,,0,0,0,,Lori.
|
||||
Dialogue: 0,0:04:20.32,0:04:23.16,Default,,0,0,0,,Nemůžu uvěřit\Nže žárlíš na sen.
|
||||
Dialogue: 0,0:04:23.84,0:04:26.60,Default,,0,0,0,,- Kdo je ona?\N- Nikdo.
|
||||
Dialogue: 0,0:04:26.60,0:04:28.80,Default,,0,0,0,,"Nikdo"? Jak se jmenuje?
|
||||
Dialogue: 0,0:04:28.80,0:04:30.24,Default,,0,0,0,,Nevím.
|
||||
Dialogue: 0,0:04:31.52,0:04:33.20,Default,,0,0,0,,- Pověz!\N- Nevím!
|
||||
Dialogue: 0,0:04:33.20,0:04:35.48,Default,,0,0,0,,Radši bys mi to měl říct!
|
||||
Dialogue: 0,0:04:35.48,0:04:39.16,Default,,0,0,0,,To není legrace Dougu.\NZdá se ti o ní každou noc.
|
||||
Dialogue: 0,0:04:39.16,0:04:41.84,Default,,0,0,0,,Ale vždy se ráno probudím.
|
||||
Dialogue: 0,0:04:41.84,0:04:43.28,Default,,0,0,0,,Nech mě být!
|
||||
Dialogue: 0,0:04:45.72,0:04:47.76,Default,,0,0,0,,No tak, zlato.
|
||||
Dialogue: 0,0:04:47.76,0:04:50.72,Default,,0,0,0,,Ty víš, že jsi dívkou\Nmých snů.
|
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Dialogue: 0,0:04:50.72,0:04:52.40,Default,,0,0,0,,Myslíš to vážně?
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|
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Dialogue: 0,0:05:04.40,0:05:07.20,Default,,0,0,0,,Dám ti něco\No čem budeš snít.
|
||||
Dialogue: 0,0:05:16.76,0:05:16.92,Default,,0,0,0,,Premiér se útoku ubránil\Na řekl, že zbraně založené na vesmírných...
|
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Dialogue: 0,0:05:16.92,0:05:20.36,Default,,0,0,0,,Premiér se útoku ubránil\Na řekl, že zbraně založené na vesmírných...
|
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Dialogue: 0,0:05:20.36,0:05:24.36,Default,,0,0,0,,jsou naše jediná obrana proti\Npočetní převaze z jižního bloku.
|
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Dialogue: 0,0:05:24.36,0:05:26.76,Default,,0,0,0,,A další násilí na Marsu...
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|
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Dialogue: 0,1:44:16.00,1:44:17.60,Default,,0,0,0,,Co se děje?
|
||||
Dialogue: 0,1:44:17.60,1:44:21.28,Default,,0,0,0,,Měl jsem jenom hroznou představu.\NCo když tohle je jenom sen?
|
||||
Dialogue: 0,1:44:22.76,1:44:25.68,Default,,0,0,0,,Tak mi dej ryhcle pusu\Nnež se probudíš.
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||||
|
||||
@ -1,62 +1,62 @@
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|
||||
Dialogue: 3,0:00:12.78,0:00:15.11,OP1-Romaji,,0,0,0,fx,{\an5\pos(455,54)\move(455,-101,455,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}o
|
||||
Dialogue: 10,0:23:52.82,0:23:54.80,Default,,0,0,100,,Wing Fling Hazard!
|
||||
|
||||
|
||||
[Aegisub Extradata]
|
||||
Data: 5,a-mo,e{"uuid"#3A"3386f06e-e9b4-40e2-8412-3fb75759e716"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(241.27#2C441.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 6,a-mo,e{"uuid"#3A"599d1dca-62d7-4732-9983-729119494e29"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(251.27#2C441.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 7,a-mo,e{"uuid"#3A"6f1637e2-25f1-44e5-98d8-0e63a7b72c10"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(246.27#2C435.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 8,a-mo,e{"uuid"#3A"4d9840e0-62db-4bb4-b6a3-87f376a9009c"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.7\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(244.27#2C440.97)\\fscy101.1\\fscx101.1\\bord3.2\\alpha&HFF&\\t(0#2C233#2C1#2C\\alpha&H00&)}Oh"}
|
||||
Data: 9,a-mo,e{"uuid"#3A"65a47c5f-8cc5-403f-9b1d-fb1912311891"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur1\\c&H8FE2CF&\\fneveryone\\b1\\frz20.87\\pos(244.27#2C440.97)\\fscy101.1\\fscx101.1\\bord0\\alpha&HFF&\\t(0#2C233#2C1#2C\\alpha&H00&)}Oh"}
|
||||
|
||||
|
||||
[Script Info]
|
||||
; Script generated by Aegisub 3.2.2
|
||||
; http://www.aegisub.org/
|
||||
Title: Default Aegisub file
|
||||
ScriptType: v4.00+
|
||||
WrapStyle: 0
|
||||
PlayResX: 1280
|
||||
PlayResY: 720
|
||||
ScaledBorderAndShadow: yes
|
||||
Video Zoom: 4
|
||||
Video Colorspace: BT.601
|
||||
Video Aspect Ratio: c1.77778
|
||||
YCbCr Matrix: TV.709
|
||||
|
||||
[Aegisub Project Garbage]
|
||||
Automation Scripts: ~../../../../Aegisub autoload folder/New Folder/cmconv.lua
|
||||
Last Style Storage: Default1
|
||||
Audio File: kamisama05-premux.mkv
|
||||
Video File: kamisama05-premux.mkv
|
||||
Keyframes File: ../Desktop/Keyframe Raws/kamisama05-wr.keyframes.txt
|
||||
Video AR Mode: 4
|
||||
Video AR Value: 1.777778
|
||||
Video Zoom Percent: 0.875000
|
||||
Video Position: 306
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Luxi Sub Sans,48,&H00F9FDFB,&H00003FFF,&H0A093346,&HDC0A0E10,-1,0,0,0,99,100,0,0,1,2.5,1,2,110,110,40,0
|
||||
Style: Default2,Luxi Sub Sans,48,&H00F9FDFB,&H00003FFF,&H0A093346,&HDC0A0E10,-1,0,0,0,99,100,0,0,1,2.5,1,2,60,60,40,0
|
||||
Style: Default - Alt,Luxi Sub Sans,48,&H00F9FDFB,&H00003FFF,&H0A673308,&HDC0A0E10,-1,0,0,0,99,100,0,0,1,2.5,1,8,110,110,40,0
|
||||
Style: OP2-Romaji-furigana,Chinacat,21,&H003B1A9A,&H00CBCB9F,&H00FFFFFF,&H00000000,0,0,0,0,96,114,0,0,1,2.5,0,8,40,40,30,1
|
||||
Style: OP1-Eng-furigana,Chinacat,20,&H003B1A9A,&H000019FF,&H00FFFFFF,&H007857D5,0,0,0,0,96,114,0.5,0,1,2.5,0.05,2,40,40,30,1
|
||||
Style: OP1-Romaji-furigana,Chinacat,21,&H003B1A9A,&H00CBCB9F,&H00FFFFFF,&H00000000,0,0,0,0,96,114,0,0,1,2.5,0,8,40,40,30,1
|
||||
Style: OP1-Romaji,Chinacat,42,&H003B1A9A,&H00CBCB9F,&H00FFFFFF,&H00000000,0,0,0,0,96,114,0,0,1,5,0,8,40,40,30,1
|
||||
Style: OP1-Eng,Chinacat,39,&H003B1A9A,&H000019FF,&H00FFFFFF,&H007857D5,0,0,0,0,96,114,0.5,0,1,5,0.1,2,40,40,30,1
|
||||
Style: OP2-Romaji,Chinacat,42,&H003B1A9A,&H00CBCB9F,&H00FFFFFF,&H00000000,0,0,0,0,96,114,0,0,1,5,0,8,40,40,30,1
|
||||
Style: ED1-Romaji,Agency FB,44,&H00000000,&H00EBDCCD,&H00FFFFFF,&H00000000,0,0,0,0,98,115,0,0,1,3,0,7,40,40,30,1
|
||||
Style: ED1-Eng,ClaudeSansPlain,40,&H00000000,&H00EBDCCD,&H00FFFFFF,&H007857D5,0,0,0,0,90,115,0,0,1,4,0,3,40,40,30,1
|
||||
Style: ED1-Eng-furigana,ClaudeSansPlain,20,&H00000000,&H00EBDCCD,&H00FFFFFF,&H007857D5,0,0,0,0,90,115,0,0,1,2,0,3,40,40,30,1
|
||||
Style: ED1-Romaji-furigana,Agency FB,22,&H00000000,&H00EBDCCD,&H00FFFFFF,&H00000000,0,0,0,0,98,115,0,0,1,1.5,0,7,40,40,30,1
|
||||
Style: Signs,Arial,46,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,0,0,5,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 3,0:00:12.74,0:00:13.49,OP1-Romaji,,0,0,0,fx,{\an5\pos(352,54)\move(352,-101,352,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}i
|
||||
Dialogue: 3,0:00:12.78,0:00:14.28,OP1-Romaji,,0,0,0,fx,{\an5\pos(365,54)\move(365,-101,365,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}t
|
||||
Dialogue: 3,0:00:12.78,0:00:14.28,OP1-Romaji,,0,0,0,fx,{\an5\pos(383,54)\move(383,-101,383,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}t
|
||||
Dialogue: 3,0:00:12.78,0:00:14.28,OP1-Romaji,,0,0,0,fx,{\an5\pos(402,54)\move(402,-101,402,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}a
|
||||
Dialogue: 3,0:00:12.78,0:00:14.28,OP1-Romaji,,0,0,0,fx,{\an5\pos(416,54)\move(416,-101,416,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}i
|
||||
Dialogue: 3,0:00:12.78,0:00:15.11,OP1-Romaji,,0,0,0,fx,{\an5\pos(438,54)\move(438,-101,438,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}k
|
||||
Dialogue: 3,0:00:12.78,0:00:15.11,OP1-Romaji,,0,0,0,fx,{\an5\pos(455,54)\move(455,-101,455,54,0,400)\bord3\blur2\2c&HD4B5CB&\fad(300,0)}o
|
||||
Dialogue: 10,0:23:52.82,0:23:54.80,Default,,0,0,100,,Wing Fling Hazard!
|
||||
|
||||
|
||||
[Aegisub Extradata]
|
||||
Data: 5,a-mo,e{"uuid"#3A"3386f06e-e9b4-40e2-8412-3fb75759e716"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(241.27#2C441.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 6,a-mo,e{"uuid"#3A"599d1dca-62d7-4732-9983-729119494e29"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(251.27#2C441.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 7,a-mo,e{"uuid"#3A"6f1637e2-25f1-44e5-98d8-0e63a7b72c10"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.6\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(246.27#2C435.97)\\fscy101.1\\fscx101.1\\bord1\\1a&HFF&\\3a&HFF&\\4a&HFF&\\t(0#2C233#2C1#2C\\1a&HFF&\\3a&H00&\\4a&H00&)}Oh"}
|
||||
Data: 8,a-mo,e{"uuid"#3A"4d9840e0-62db-4bb4-b6a3-87f376a9009c"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur0.7\\c&H454C38&\\fneveryone\\b1\\3c&H454C38&\\frz20.87\\pos(244.27#2C440.97)\\fscy101.1\\fscx101.1\\bord3.2\\alpha&HFF&\\t(0#2C233#2C1#2C\\alpha&H00&)}Oh"}
|
||||
Data: 9,a-mo,e{"uuid"#3A"65a47c5f-8cc5-403f-9b1d-fb1912311891"#2C"originalText"#3A"{\\fs65\\xbord4\\fsp2\\blur1\\c&H8FE2CF&\\fneveryone\\b1\\frz20.87\\pos(244.27#2C440.97)\\fscy101.1\\fscx101.1\\bord0\\alpha&HFF&\\t(0#2C233#2C1#2C\\alpha&H00&)}Oh"}
|
||||
|
||||
|
||||
|
||||
@ -1,16 +1,16 @@
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.83,0:00:02.97,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chatter{\i0} )
|
||||
Dialogue: 0,0:00:02.97,0:00:04.34,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our number one
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.83,0:00:02.97,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chatter{\i0} )
|
||||
Dialogue: 0,0:00:02.97,0:00:04.34,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our number one
|
||||
|
||||
@ -1,22 +1,22 @@
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.97,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}(
|
||||
Dialogue: 0,0:00:01.17,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudibl
|
||||
Dialogue: 0,0:00:01.37,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chat
|
||||
Dialogue: 0,0:00:01.57,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chatter{\i0} )
|
||||
Dialogue: 0,0:00:03.10,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>>
|
||||
Dialogue: 0,0:00:03.30,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety rema
|
||||
Dialogue: 0,0:00:03.50,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our numb
|
||||
Dialogue: 0,0:00:03.70,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our number one
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.97,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}(
|
||||
Dialogue: 0,0:00:01.17,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudibl
|
||||
Dialogue: 0,0:00:01.37,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chat
|
||||
Dialogue: 0,0:00:01.57,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,44)}({\i1} inaudible radio chatter{\i0} )
|
||||
Dialogue: 0,0:00:03.10,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>>
|
||||
Dialogue: 0,0:00:03.30,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety rema
|
||||
Dialogue: 0,0:00:03.50,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our numb
|
||||
Dialogue: 0,0:00:03.70,9:59:59.99,Default,,0,0,0,,{\an7}{\pos(38,28)}({\i1} inaudible radio chatter{\i0} )\N{\an7}{\pos(38,44)}>> Safety remains our number one
|
||||
|
||||
@ -1,17 +1,17 @@
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.00,0:00:01.44,Default,,0,0,0,,{\an7}{\pos(48,182)}BESIDES THE
|
||||
Dialogue: 0,0:00:01.43,0:00:03.93,Default,,0,0,0,,{\an7}{\pos(38,166)}\hBESIDES THE \N{\an7}{\pos(38,197)}SPENDING AND THIS, IS THAT CAR
|
||||
Dialogue: 0,0:00:03.94,0:00:06.31,Default,,0,0,0,,{\an7}{\pos(38,182)}SPENDING AND THIS, IS THAT CAR \N{\an7}{\pos(38,197)}MANUFACTURERS ARE ABOUT AS
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Monospace,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,3,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:00.00,0:00:01.44,Default,,0,0,0,,{\an7}{\pos(48,182)}BESIDES THE
|
||||
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||||
Dialogue: 0,0:00:03.94,0:00:06.31,Default,,0,0,0,,{\an7}{\pos(38,182)}SPENDING AND THIS, IS THAT CAR \N{\an7}{\pos(38,197)}MANUFACTURERS ARE ABOUT AS
|
||||
|
||||
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||||
[Script Info]
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||||
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[V4+ Styles]
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[Events]
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||||
Dialogue: 0,0:01:45.48,0:01:47.32,Default,,0,0,0,,Шу Лиен!
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||||
Dialogue: 0,0:01:54.53,0:01:57.24,Default,,0,0,0,,Ли Му Бай е тук.
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||||
Dialogue: 0,0:02:05.83,0:02:09.00,Default,,0,0,0,,- Как вървят нещата?\N- Добре. Моля, влезте!
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Dialogue: 0,0:02:23.48,0:02:26.53,Default,,0,0,0,,Му Бай...\NМина много време.
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Dialogue: 0,0:02:26.73,0:02:28.11,Default,,0,0,0,,Така е.
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||||
Dialogue: 0,0:02:28.57,0:02:31.41,Default,,0,0,0,,- Как върви бизнесът?\N- Добре.
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Dialogue: 0,0:02:40.16,0:02:42.79,Default,,0,0,0,,Монахът Дзенг каза,\Nче си в планината Удан.
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Dialogue: 0,0:02:43.04,0:02:46.54,Default,,0,0,0,,Каза, че практикуваш\Nдълбока медитация.
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Dialogue: 0,0:03:00.26,0:03:03.89,Default,,0,0,0,,Оставих обучението рано.
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Dialogue: 0,0:03:05.69,0:03:11.28,Default,,0,0,0,,Защо? Ти си боец на Удан.\NОбучението е всичко.
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Dialogue: 0,0:03:11.90,0:03:14.86,Default,,0,0,0,,По време на медитация…
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Dialogue: 0,0:03:15.07,0:03:18.49,Default,,0,0,0,,стигнах до място,\Nкъдето имаше дълбока тишина...
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||||
Dialogue: 0,0:03:23.41,0:03:28.08,Default,,0,0,0,,времето и пространството изчезнаха.
|
||||
Dialogue: 0,0:03:28.71,0:03:34.09,Default,,0,0,0,,Достигнах до състояние, за което\Nучителят не ми беше казвал.
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||||
Dialogue: 0,0:03:37.05,0:03:39.14,Default,,0,0,0,,Постигнал си просветление?
|
||||
Dialogue: 0,0:03:39.34,0:03:41.22,Default,,0,0,0,,Не.
|
||||
Dialogue: 0,0:03:41.72,0:03:45.81,Default,,0,0,0,,Не почувствах блаженството\Nна просветлението.
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Dialogue: 0,0:03:46.02,0:03:52.86,Default,,0,0,0,,Вместо това... ме обгърна\Nбезкрайна мъка.
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Dialogue: 0,0:04:23.39,0:04:24.68,Default,,0,0,0,,Скоро ли ще тръгваш?
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||||
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||||
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||||
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Dialogue: 0,0:05:23.66,0:05:27.37,Default,,0,0,0,,Дойде време\Nда го оставя.
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Dialogue: 0,0:01:22.17,0:01:24.05,Default,,0,0,0,,Учителят Ли е тук.
|
||||
Dialogue: 0,0:01:45.48,0:01:47.32,Default,,0,0,0,,Шу Лиен!
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Dialogue: 0,0:01:54.53,0:01:57.24,Default,,0,0,0,,Ли Му Бай е тук.
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||||
Dialogue: 0,0:02:05.83,0:02:09.00,Default,,0,0,0,,- Как вървят нещата?\N- Добре. Моля, влезте!
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Dialogue: 0,0:02:23.48,0:02:26.53,Default,,0,0,0,,Му Бай...\NМина много време.
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Dialogue: 0,0:02:26.73,0:02:28.11,Default,,0,0,0,,Така е.
|
||||
Dialogue: 0,0:02:28.57,0:02:31.41,Default,,0,0,0,,- Как върви бизнесът?\N- Добре.
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||||
Dialogue: 0,0:02:31.61,0:02:33.90,Default,,0,0,0,,- А ти как си?\N- Добре.
|
||||
Dialogue: 0,0:02:40.16,0:02:42.79,Default,,0,0,0,,Монахът Дзенг каза,\Nче си в планината Удан.
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||||
Dialogue: 0,0:02:43.04,0:02:46.54,Default,,0,0,0,,Каза, че практикуваш\Nдълбока медитация.
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Dialogue: 0,0:03:00.26,0:03:03.89,Default,,0,0,0,,Оставих обучението рано.
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Dialogue: 0,0:03:05.69,0:03:11.28,Default,,0,0,0,,Защо? Ти си боец на Удан.\NОбучението е всичко.
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Dialogue: 0,0:03:11.90,0:03:14.86,Default,,0,0,0,,По време на медитация…
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Dialogue: 0,0:03:15.07,0:03:18.49,Default,,0,0,0,,стигнах до място,\Nкъдето имаше дълбока тишина...
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Dialogue: 0,0:03:19.87,0:03:22.79,Default,,0,0,0,,бях обграден от светлина...
|
||||
Dialogue: 0,0:03:23.41,0:03:28.08,Default,,0,0,0,,времето и пространството изчезнаха.
|
||||
Dialogue: 0,0:03:28.71,0:03:34.09,Default,,0,0,0,,Достигнах до състояние, за което\Nучителят не ми беше казвал.
|
||||
Dialogue: 0,0:03:37.05,0:03:39.14,Default,,0,0,0,,Постигнал си просветление?
|
||||
Dialogue: 0,0:03:39.34,0:03:41.22,Default,,0,0,0,,Не.
|
||||
Dialogue: 0,0:03:41.72,0:03:45.81,Default,,0,0,0,,Не почувствах блаженството\Nна просветлението.
|
||||
Dialogue: 0,0:03:46.02,0:03:52.86,Default,,0,0,0,,Вместо това... ме обгърна\Nбезкрайна мъка.
|
||||
Dialogue: 0,0:03:53.40,0:03:56.57,Default,,0,0,0,,Не можах да издържа.
|
||||
Dialogue: 0,0:03:57.49,0:03:59.74,Default,,0,0,0,,Прекъснах медитацията си.
|
||||
Dialogue: 0,0:03:59.95,0:04:02.24,Default,,0,0,0,,Не можах да продължа.
|
||||
Dialogue: 0,0:04:03.20,0:04:07.79,Default,,0,0,0,,Нещо...\Nме дърпаше назад.
|
||||
Dialogue: 0,0:04:09.62,0:04:10.91,Default,,0,0,0,,Какво беше?
|
||||
Dialogue: 0,0:04:15.46,0:04:18.00,Default,,0,0,0,,Нещо, от което не\Nмога да се освободя.
|
||||
Dialogue: 0,0:04:23.39,0:04:24.68,Default,,0,0,0,,Скоро ли ще тръгваш?
|
||||
Dialogue: 0,0:04:26.77,0:04:30.27,Default,,0,0,0,,Подготвяме охрана\Nза една доставка...
|
||||
Dialogue: 0,0:04:30.48,0:04:31.94,Default,,0,0,0,,за Пекин.
|
||||
Dialogue: 0,0:04:32.56,0:04:34.10,Default,,0,0,0,,Мога ли да те помоля...
|
||||
Dialogue: 0,0:04:35.07,0:04:38.82,Default,,0,0,0,,да занесеш нещо на господин Те.
|
||||
Dialogue: 0,0:04:44.28,0:04:48.12,Default,,0,0,0,,Зеленият меч на Съдбата!?\NДаваш го на господин Те!?
|
||||
Dialogue: 0,0:04:48.37,0:04:52.67,Default,,0,0,0,,Да. Той винаги е бил\Nнашият най-голям покровител.
|
||||
Dialogue: 0,0:04:52.88,0:04:56.55,Default,,0,0,0,,Не разбирам.\NКак можеш да се разделиш с него?
|
||||
Dialogue: 0,0:04:56.76,0:04:59.93,Default,,0,0,0,,Той винаги е бил с теб.
|
||||
Dialogue: 0,0:05:01.18,0:05:05.52,Default,,0,0,0,,Твърде много хора са\Nзагинали от това острие.
|
||||
Dialogue: 0,0:05:09.68,0:05:14.52,Default,,0,0,0,,Чисто е единствено защото\Nкръвта се отмива лесно.
|
||||
Dialogue: 0,0:05:15.40,0:05:20.61,Default,,0,0,0,,Ти го използваш справедливо.\NДостоен си за него.
|
||||
Dialogue: 0,0:05:23.66,0:05:27.37,Default,,0,0,0,,Дойде време\Nда го оставя.
|
||||
Dialogue: 0,0:05:27.58,0:05:31.21,Default,,0,0,0,,Е, какво ще правиш\Nот сега нататък?
|
||||
Dialogue: 0,0:05:34.71,0:05:37.50,Default,,0,0,0,,Ела с мен в Пекин.
|
||||
Dialogue: 0,0:05:37.71,0:05:41.42,Default,,0,0,0,,Лично ще дадеш меча\Nна господин Те.
|
||||
Dialogue: 0,0:05:41.68,0:05:44.89,Default,,0,0,0,,Ще бъде както преди.
|
||||
Dialogue: 0,0:05:47.01,0:05:51.68,Default,,0,0,0,,Първо трябва да отида\Nна гроба на учителя си.
|
||||
|
||||
@ -1,25 +1,25 @@
|
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[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
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||||
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||||
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||||
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||||
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|
||||
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||||
|
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[V4+ Styles]
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||||
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Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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[Events]
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Dialogue: 0,0:00:06.12,0:00:07.82,Default,,0,0,0,,{\an2}or bottom of the screen.
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Dialogue: 0,0:00:08.12,0:00:11.12,Default,,0,0,0,,{\an5}{this is a comment} (And, you just saw, {another comment} timing ranges for different lines of text.
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||||
Dialogue: 0,0:00:11.12,0:00:13.62,Default,,0,0,0,,{\an1}Within margin constraints\Nthat you set, text may be\Nleft justified,
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||||
Dialogue: 0,0:00:13.62,0:00:14.87,Default,,0,0,0,,{\an2}{the JC is redundant - it's the default}center\Njustified,
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||||
Dialogue: 0,0:00:14.87,0:00:16.12,Default,,0,0,0,,{\an3}and also\Nright justified.
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||||
Dialogue: 0,0:00:22.42,0:00:27.92,Default,,0,0,0,,Text may appear in different styles\N(Normal, {\b1}Bold{\r}, {\i1}Italic{\r})
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||||
Dialogue: 0,0:01:16.12,0:01:21.12,Default,,0,0,0,,{\an5}\N\NAt that time, you may press any key to return to the Editor.
|
||||
Dialogue: 0,0:01:16.12,0:01:21.12,Default,,0,0,0,,OK, this script will be finished when the screen goes blank.
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[Script Info]
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||||
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||||
ScriptType: v4.00+
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||||
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||||
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||||
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|
||||
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||||
|
||||
[V4+ Styles]
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||||
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||||
Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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Dialogue: 0,0:00:08.12,0:00:11.12,Default,,0,0,0,,{\an5}{this is a comment} (And, you just saw, {another comment} timing ranges for different lines of text.
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||||
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||||
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Dialogue: 0,0:04:11.30,0:04:19.40,Default,,0,0,0,,Yeah. The Drama Club is worried\Nthat you haven't been coming.
|
||||
Dialogue: 0,0:04:20.30,0:04:27.50,Default,,0,0,0,,I see. Sorry, I'll drop by next time.
|
||||
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|
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||||
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Dialogue: 0,0:04:04.70,0:04:11.30,Default,,0,0,0,,You should come to the Drama Club, too.
|
||||
Dialogue: 0,0:04:11.30,0:04:19.40,Default,,0,0,0,,Yeah. The Drama Club is worried\Nthat you haven't been coming.
|
||||
Dialogue: 0,0:04:20.30,0:04:27.50,Default,,0,0,0,,I see. Sorry, I'll drop by next time.
|
||||
|
||||
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|
||||
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Dialogue: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Mary had a little lamb, \N
|
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Dialogue: 0,0:00:03.00,0:00:18.00,Default,,0,0,0,,little lamb, \N
|
||||
Dialogue: 0,0:00:06.99,0:00:21.99,Default,,0,0,0,,little lamb, \N
|
||||
Dialogue: 0,0:00:09.00,0:00:23.00,Default,,0,0,0,,Mary had a little lamb \N
|
||||
Dialogue: 0,0:00:12.34,0:00:27.34,Default,,0,0,0,,whose fleece was white as snow.
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[Script Info]
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[Events]
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Dialogue: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Mary had a little lamb, \N
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Dialogue: 0,0:00:03.00,0:00:18.00,Default,,0,0,0,,little lamb, \N
|
||||
Dialogue: 0,0:00:06.99,0:00:21.99,Default,,0,0,0,,little lamb, \N
|
||||
Dialogue: 0,0:00:09.00,0:00:23.00,Default,,0,0,0,,Mary had a little lamb \N
|
||||
Dialogue: 0,0:00:12.34,0:00:27.34,Default,,0,0,0,,whose fleece was white as snow.
|
||||
|
||||
@ -1,23 +1,23 @@
|
||||
[Script Info]
|
||||
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Dialogue: 0,0:00:00.00,0:00:00.01,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\N
|
||||
Dialogue: 0,0:00:00.01,0:00:08.80,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\NLet the word go forth, from this time and place to friend and foe alike that the torch
|
||||
Dialogue: 0,0:00:08.80,0:00:19.50,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nhas been passed to a new generation of Americans, born in this century, tempered by war,
|
||||
Dialogue: 0,0:00:19.50,0:00:28.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Ndisciplined by a hard and bitter peace, proud of our ancient heritage, and unwilling to witness
|
||||
Dialogue: 0,0:00:28.00,0:00:38.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nor permit the slow undoing of those human rights to which this nation has always
|
||||
Dialogue: 0,0:00:38.00,0:00:46.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nbeen committed and to which we are committed today at home and around the world.
|
||||
Dialogue: 0,0:00:46.00,0:01:01.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\NLet every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden,
|
||||
Dialogue: 0,0:01:01.00,0:01:13.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nmeet any hardship, support any friend, oppose any foe, to ensure the survival and success of liberty.
|
||||
Dialogue: 0,0:01:13.00,9:59:59.99,Default,,0,0,0,,{\i1}End of:{\i0}\NPresident John F. Kennedy Speech
|
||||
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||||
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||||
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Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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||||
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|
||||
Dialogue: 0,0:00:00.01,0:00:08.80,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\NLet the word go forth, from this time and place to friend and foe alike that the torch
|
||||
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|
||||
Dialogue: 0,0:00:19.50,0:00:28.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Ndisciplined by a hard and bitter peace, proud of our ancient heritage, and unwilling to witness
|
||||
Dialogue: 0,0:00:28.00,0:00:38.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nor permit the slow undoing of those human rights to which this nation has always
|
||||
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|
||||
Dialogue: 0,0:00:46.00,0:01:01.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\NLet every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden,
|
||||
Dialogue: 0,0:01:01.00,0:01:13.00,Default,,0,0,0,,{\i1}Pres. John F. Kennedy{\i0}\Nmeet any hardship, support any friend, oppose any foe, to ensure the survival and success of liberty.
|
||||
Dialogue: 0,0:01:13.00,9:59:59.99,Default,,0,0,0,,{\i1}End of:{\i0}\NPresident John F. Kennedy Speech
|
||||
|
||||
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|
||||
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||||
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||||
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||||
|
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[Events]
|
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|
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Dialogue: 0,0:00:01.51,0:00:01.51,Default,,0,0,0,,by Psyence Fictionist\Npsyencefictionist@gmail.com
|
||||
Dialogue: 0,0:00:01.51,0:00:08.61,Default,,0,0,0,,Sync by: honeybunny and Kerensky\Nwww.Addic7ed.com
|
||||
Dialogue: 0,0:00:10.11,0:00:10.11,Default,,0,0,0,,\N{\b1}사랑과 배신\N탐욕과 살육의 이야기죠{\b0}
|
||||
Dialogue: 0,0:00:10.11,0:00:13.98,Default,,0,0,0,,\N{\c&H800080&}The{\c}{\c&HCBC0FF&}re{\c} {\c&HFF&}is{\c} {\c&HA5FF&}lo{\c}{\c&HFFFF&}ve{\c} {\c&H8000&}and{\c}{\c&HFFFF00&} bet{\c}{\c&HFF0000&}rayal{\c},\N{\b1}{\c&H808080&}g{\c}r{\c&H808080&}e{\c}e{\c&H808080&}d{\c} and {\c&HFF&}m{\c}{\c&H808080&}u{\c}{\c&HFF&}rder{\c}{\b0}.
|
||||
Dialogue: 0,0:00:17.67,0:00:17.67,Default,,0,0,0,,\N{\c&HFFFF&}선악의 정의에 대해서\N대립하는 가치관을 가진{\c}
|
||||
Dialogue: 0,0:00:17.67,0:00:21.72,Default,,0,0,0,,\N{\c&HCBC0FF&}{\fs6}It's{\fs} {\fs8}set{\fs}{\fs10} in {\fs}{\fs12}this{\fs}{\fs14} intere{\fs}{\fs14}sting{\fs}\N{\fs16} world{\fs}{\fs18} of{\fs} {\fs20}cont{\fs}{\fs22}rasting{\fs}{\fs24} ideology{\fs}{\c}
|
||||
Dialogue: 0,0:00:21.84,0:00:21.84,Default,,0,0,0,,\N{\u1}매력적인 세계에서\N이 모든 것이 펼쳐집니다{\u1}
|
||||
Dialogue: 0,0:00:21.84,0:00:23.58,Default,,0,0,0,,\N{\i1}{\c&H9966CC&}of{\c}{\c&HC2A3E0&} what's{\c} {\c&HE0D1F0&}right{\c} {\c&HFCFAFE&}and{\c} wrong.{\i0}
|
||||
Dialogue: 0,0:00:23.69,0:00:23.69,Default,,0,0,0,,\N{\i1}이 주제를 심오한 철학으로\N담아내고 있어요{\i0}
|
||||
Dialogue: 0,0:00:23.69,0:00:25.67,Default,,0,0,0,,\N{\c&HFF0000&}{\fs20}{\s1}It{\s0}{\fs}{\c} has {\c&HFFFF00&}{\fs15}a{\fs}{\c} great {\c&HFFCC00&}{\fs16}philosophy{\fs}{\c} about it.
|
||||
Dialogue: 0,0:00:40.22,0:00:40.22,Default,,0,0,0,,\N{\s1}"왕좌의 게임"은 웨스테로스라는 가상왕국의\N권력 분쟁 이야기입니다{\s0}
|
||||
Dialogue: 0,0:00:40.22,0:00:47.94,Default,,0,0,0,,\N{\c&HA5FF&}{\fs26}"Game of Thrones"{\fs}{\c} {\c&H2A2AA5&}{\b1}is{\b0}{\c}{\c&HFFFF&}{\fs24}{\i1} about{\i0}{\fs}{\c} {\c&H336699&}{\fs14}power{\fs}{\c}{\c&HFF&} struggles{\c}\N{\c&HA5FF&}{\fs8}in a fantasy{\fs}{\c&HCBC0FF&} kingdom{\c&HA5FF&}, called {\fs6}Westeros.{\fs}{\c}
|
||||
Dialogue: 0,0:00:48.06,0:00:48.06,Default,,0,0,0,,\N철의 왕좌를 둘러싼\N권력 분쟁이죠
|
||||
Dialogue: 0,0:00:48.06,0:00:50.76,Default,,0,0,0,,\N{\c&H8000&}And it's a power struggle\Nfor the Iron Throne,{\c}
|
||||
Dialogue: 0,0:00:50.88,0:00:50.88,Default,,0,0,0,,\N{\fs20}왕국의 권력 정점이라고\N할 수 있는 자리에요{\fs}
|
||||
Dialogue: 0,0:00:50.88,0:00:53.13,Default,,0,0,0,,\Nwhich is the seat of power\Nin this kingdom.
|
||||
Dialogue: 0,0:00:53.25,0:00:53.25,Default,,0,0,0,,\N전운이 감도네, 네드
|
||||
Dialogue: 0,0:00:53.25,0:00:55.07,Default,,0,0,0,,\NThere's a war coming, Ned.
|
||||
Dialogue: 0,0:00:56.01,0:00:56.01,Default,,0,0,0,, \N언제 누구와 싸우게 될지는 몰라\N하지만 분명 전쟁이 일어날걸세
|
||||
Dialogue: 0,0:00:56.01,0:01:00.09,Default,,0,0,0,,\NI don't know when, I don't know who\Nwould be fighting, but it's coming.
|
||||
Dialogue: 0,0:01:01.10,0:01:01.10,Default,,0,0,0,,\N이야기의 핵심은 두 주요 가문의\N권력을 둘러싼 갈등입니다
|
||||
Dialogue: 0,0:01:01.10,0:01:07.04,Default,,0,0,0,,\N{\i1}At the core of it there's a conflict for\Npower between two great houses initially.{\i0}
|
||||
Dialogue: 0,0:01:07.16,0:01:07.16,Default,,0,0,0,,\N스타크 가문과 라니스터 가문이죠
|
||||
Dialogue: 0,0:01:07.16,0:01:10.04,Default,,0,0,0,,\NHouse Stark and House Lannister.
|
||||
Dialogue: 0,0:01:10.16,0:01:10.16,Default,,0,0,0,,\N그 외에 여러 가문이\N서로 경쟁합니다
|
||||
Dialogue: 0,0:01:10.16,0:01:13.25,Default,,0,0,0,,\NThe other major houses are\Nall contenders as well.
|
||||
Dialogue: 0,0:01:13.37,0:01:13.37,Default,,0,0,0,,\N흥미진진하게 정치적으로\N얽혀있는 상황이죠
|
||||
Dialogue: 0,0:01:13.37,0:01:16.11,Default,,0,0,0,,\NIt's a suitably complicated\Npolitical situation.
|
||||
Dialogue: 0,0:01:16.34,0:01:16.34,Default,,0,0,0,,\N옛 말에 "권력은 부패한다"라죠
|
||||
Dialogue: 0,0:01:16.34,0:01:18.80,Default,,0,0,0,,\NThe old truth "the power corrupts",\NI think
|
||||
Dialogue: 0,0:01:18.92,0:01:18.92,Default,,0,0,0,,\N옳은 말입니다\N이 작품에서도 드러나죠
|
||||
Dialogue: 0,0:01:18.92,0:01:21.66,Default,,0,0,0,,\Nit's very valid and it\Nshows in this series.
|
||||
Dialogue: 0,0:01:21.78,0:01:21.78,Default,,0,0,0,,\N권력을 얻은 등장인물들이\N어떻게 변해가는지 보시게 될겁니다
|
||||
Dialogue: 0,0:01:21.78,0:01:24.59,Default,,0,0,0,,\NYou see characters come into\Npower and how they change.
|
||||
Dialogue: 0,0:01:24.71,0:01:24.71,Default,,0,0,0,,\N그렇게 등장인물들은\N대의를 보는 시야를 잃어가고
|
||||
Dialogue: 0,0:01:24.71,0:01:28.86,Default,,0,0,0,,\NIn a way it's about how people\Nforget to see the bigger picture,
|
||||
Dialogue: 0,0:01:28.98,0:01:28.98,Default,,0,0,0,,\N사리사욕을 쫒는데 정신이 팔려\N공공의 위협을 외면하게 되죠
|
||||
Dialogue: 0,0:01:28.98,0:01:33.89,Default,,0,0,0,,\N{\u1}this common threat, that everybody\Nkind of ignores, because they're too busy{\u0}
|
||||
Dialogue: 0,0:01:34.01,0:01:35.24,Default,,0,0,0,,\Npursuing their own interests.
|
||||
Dialogue: 0,0:01:35.36,0:01:35.36,Default,,0,0,0,,\N한편, 일곱 왕국의 밖에서는\N두 개의 거대한 위협이 부상합니다
|
||||
Dialogue: 0,0:01:35.36,0:01:40.23,Default,,0,0,0,,\N{\fs30}And meanwhile, outside the Seven\NKingdoms, two great threats arising.{\fs}
|
||||
Dialogue: 0,0:01:40.35,0:01:40.35,Default,,0,0,0,,\N하나는 바다 건너\N타가리엔 일족 유배자들이며
|
||||
Dialogue: 0,0:01:40.35,0:01:44.06,Default,,0,0,0,,\NOne across the sea, in the exile\NTargaryen siblings,
|
||||
Dialogue: 0,0:01:44.17,0:01:44.17,Default,,0,0,0,,\N또 하나는 일곱 왕국의\N국경이 자리잡은
|
||||
Dialogue: 0,0:01:44.17,0:01:47.39,Default,,0,0,0,,\Nand another far to the north,\Nbeyond the Wall,
|
||||
Dialogue: 0,0:01:47.51,0:01:47.51,Default,,0,0,0,,\N저 멀리 북쪽 장벽 너머\N초자연적인 존재들이 도사리는
|
||||
Dialogue: 0,0:01:47.51,0:01:50.07,Default,,0,0,0,,\Nwhich is the boundary\Nof the Seven Kingdoms,
|
||||
Dialogue: 0,0:01:50.18,0:01:50.18,Default,,0,0,0,,\N춥디 추운 땅에서 일어납니다
|
||||
Dialogue: 0,0:01:50.18,0:01:55.28,Default,,0,0,0,,\Nin lands of perpetual ice and cold,\Nwhere supernatural threat is stirring.
|
||||
Dialogue: 0,0:01:56.45,0:01:56.45,Default,,0,0,0,,\N기존의 어떤 작품과도 다릅니다
|
||||
Dialogue: 0,0:01:56.45,0:02:00.45,Default,,0,0,0,,\NIt's very different from\Nanything that's been done.
|
||||
Dialogue: 0,0:02:00.58,0:02:00.58,Default,,0,0,0,,\N이 작품처럼 어두운 판타지는\N없을거라고 봅니다
|
||||
Dialogue: 0,0:02:00.58,0:02:03.97,Default,,0,0,0,,\NI can't think of another fantasy\Nwhich is as dark as this one is,
|
||||
Dialogue: 0,0:02:04.09,0:02:04.09,Default,,0,0,0,,\N아주 적나라하고 현실적이죠
|
||||
Dialogue: 0,0:02:04.09,0:02:05.65,Default,,0,0,0,,\Nwhich is as gritty and as real.
|
||||
Dialogue: 0,0:02:05.77,0:02:05.77,Default,,0,0,0,,\N등장인물 하나 하나가\N매우 심도깊습니다
|
||||
Dialogue: 0,0:02:05.77,0:02:08.18,Default,,0,0,0,,\NEvery single character\Nis incredibly complex.
|
||||
Dialogue: 0,0:02:08.30,0:02:08.30,Default,,0,0,0,,\N보여주는 모습만으로\N생기는 고정관념으로는
|
||||
Dialogue: 0,0:02:08.30,0:02:09.33,Default,,0,0,0,,\NYou think you know them.
|
||||
Dialogue: 0,0:02:09.45,0:02:09.45,Default,,0,0,0,,\N등장인물을 제대로 이해했다고\N할 수 없습니다
|
||||
Dialogue: 0,0:02:09.45,0:02:14.14,Default,,0,0,0,,\NYou think you got them pegged as what\Nthey seemingly are but they really aren't.
|
||||
Dialogue: 0,0:02:14.25,0:02:14.25,Default,,0,0,0,,\N신하 중에서 전적으로\N신뢰할 수 있는 이가 있습니까?
|
||||
Dialogue: 0,0:02:14.25,0:02:17.66,Default,,0,0,0,,\NIs there someone in your service\Nwhom you trust completely?
|
||||
Dialogue: 0,0:02:17.78,0:02:17.78,Default,,0,0,0,,\N있네
|
||||
Dialogue: 0,0:02:17.78,0:02:18.84,Default,,0,0,0,,\NYes.
|
||||
Dialogue: 0,0:02:18.96,0:02:18.96,Default,,0,0,0,,\N"없다"라고 대답하셔야\N현명하신겁니다, 전하
|
||||
Dialogue: 0,0:02:18.96,0:02:21.27,Default,,0,0,0,,\NThe wiser answer was "no", my lord.
|
||||
Dialogue: 0,0:02:21.53,0:02:21.53,Default,,0,0,0,,\N이분법적인 선악의\N이야기가 아닙니다
|
||||
Dialogue: 0,0:02:21.53,0:02:23.63,Default,,0,0,0,,\NIt's not a good guys/bad guys story.
|
||||
Dialogue: 0,0:02:23.75,0:02:23.75,Default,,0,0,0,,\N모두가 나름의 가치를\N추구하고
|
||||
Dialogue: 0,0:02:23.75,0:02:26.40,Default,,0,0,0,,\NIt's a story where everybody is\Npursuing their own interests
|
||||
Dialogue: 0,0:02:26.52,0:02:26.52,Default,,0,0,0,,\N나름의 규칙을 따르면서
|
||||
Dialogue: 0,0:02:26.52,0:02:29.67,Default,,0,0,0,,\Nand everybody's following their own\Ncode and it's about those interests
|
||||
Dialogue: 0,0:02:29.79,0:02:29.79,Default,,0,0,0,,\N서로의 가치와 윤리가\N충돌하게 되는 이야기입니다
|
||||
Dialogue: 0,0:02:29.79,0:02:33.35,Default,,0,0,0,,\Nand those ethics coming into\Nconflict with each other.
|
||||
Dialogue: 0,0:02:33.47,0:02:33.47,Default,,0,0,0,,\N영웅이 악당을 물리치는 이야기보다
|
||||
Dialogue: 0,0:02:33.47,0:02:37.58,Default,,0,0,0,,\NAnd it provides a much richer story\Nthan the guys in white
|
||||
Dialogue: 0,0:02:38.58,0:02:38.58,Default,,0,0,0,,\Nby Psyence Fictionist\Npsyencefictionist@gmail.com
|
||||
Dialogue: 0,0:02:38.58,0:02:39.58,Default,,0,0,0,,\NSync by: honeybunny and Kerensky\Nwww.Addic7ed.com
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
PlayResX: 384
|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:01.51,0:00:01.51,Default,,0,0,0,,by Psyence Fictionist\Npsyencefictionist@gmail.com
|
||||
Dialogue: 0,0:00:01.51,0:00:08.61,Default,,0,0,0,,Sync by: honeybunny and Kerensky\Nwww.Addic7ed.com
|
||||
Dialogue: 0,0:00:10.11,0:00:10.11,Default,,0,0,0,,\N{\b1}사랑과 배신\N탐욕과 살육의 이야기죠{\b0}
|
||||
Dialogue: 0,0:00:10.11,0:00:13.98,Default,,0,0,0,,\N{\c&H800080&}The{\c}{\c&HCBC0FF&}re{\c} {\c&HFF&}is{\c} {\c&HA5FF&}lo{\c}{\c&HFFFF&}ve{\c} {\c&H8000&}and{\c}{\c&HFFFF00&} bet{\c}{\c&HFF0000&}rayal{\c},\N{\b1}{\c&H808080&}g{\c}r{\c&H808080&}e{\c}e{\c&H808080&}d{\c} and {\c&HFF&}m{\c}{\c&H808080&}u{\c}{\c&HFF&}rder{\c}{\b0}.
|
||||
Dialogue: 0,0:00:17.67,0:00:17.67,Default,,0,0,0,,\N{\c&HFFFF&}선악의 정의에 대해서\N대립하는 가치관을 가진{\c}
|
||||
Dialogue: 0,0:00:17.67,0:00:21.72,Default,,0,0,0,,\N{\c&HCBC0FF&}{\fs6}It's{\fs} {\fs8}set{\fs}{\fs10} in {\fs}{\fs12}this{\fs}{\fs14} intere{\fs}{\fs14}sting{\fs}\N{\fs16} world{\fs}{\fs18} of{\fs} {\fs20}cont{\fs}{\fs22}rasting{\fs}{\fs24} ideology{\fs}{\c}
|
||||
Dialogue: 0,0:00:21.84,0:00:21.84,Default,,0,0,0,,\N{\u1}매력적인 세계에서\N이 모든 것이 펼쳐집니다{\u1}
|
||||
Dialogue: 0,0:00:21.84,0:00:23.58,Default,,0,0,0,,\N{\i1}{\c&H9966CC&}of{\c}{\c&HC2A3E0&} what's{\c} {\c&HE0D1F0&}right{\c} {\c&HFCFAFE&}and{\c} wrong.{\i0}
|
||||
Dialogue: 0,0:00:23.69,0:00:23.69,Default,,0,0,0,,\N{\i1}이 주제를 심오한 철학으로\N담아내고 있어요{\i0}
|
||||
Dialogue: 0,0:00:23.69,0:00:25.67,Default,,0,0,0,,\N{\c&HFF0000&}{\fs20}{\s1}It{\s0}{\fs}{\c} has {\c&HFFFF00&}{\fs15}a{\fs}{\c} great {\c&HFFCC00&}{\fs16}philosophy{\fs}{\c} about it.
|
||||
Dialogue: 0,0:00:40.22,0:00:40.22,Default,,0,0,0,,\N{\s1}"왕좌의 게임"은 웨스테로스라는 가상왕국의\N권력 분쟁 이야기입니다{\s0}
|
||||
Dialogue: 0,0:00:40.22,0:00:47.94,Default,,0,0,0,,\N{\c&HA5FF&}{\fs26}"Game of Thrones"{\fs}{\c} {\c&H2A2AA5&}{\b1}is{\b0}{\c}{\c&HFFFF&}{\fs24}{\i1} about{\i0}{\fs}{\c} {\c&H336699&}{\fs14}power{\fs}{\c}{\c&HFF&} struggles{\c}\N{\c&HA5FF&}{\fs8}in a fantasy{\fs}{\c&HCBC0FF&} kingdom{\c&HA5FF&}, called {\fs6}Westeros.{\fs}{\c}
|
||||
Dialogue: 0,0:00:48.06,0:00:48.06,Default,,0,0,0,,\N철의 왕좌를 둘러싼\N권력 분쟁이죠
|
||||
Dialogue: 0,0:00:48.06,0:00:50.76,Default,,0,0,0,,\N{\c&H8000&}And it's a power struggle\Nfor the Iron Throne,{\c}
|
||||
Dialogue: 0,0:00:50.88,0:00:50.88,Default,,0,0,0,,\N{\fs20}왕국의 권력 정점이라고\N할 수 있는 자리에요{\fs}
|
||||
Dialogue: 0,0:00:50.88,0:00:53.13,Default,,0,0,0,,\Nwhich is the seat of power\Nin this kingdom.
|
||||
Dialogue: 0,0:00:53.25,0:00:53.25,Default,,0,0,0,,\N전운이 감도네, 네드
|
||||
Dialogue: 0,0:00:53.25,0:00:55.07,Default,,0,0,0,,\NThere's a war coming, Ned.
|
||||
Dialogue: 0,0:00:56.01,0:00:56.01,Default,,0,0,0,, \N언제 누구와 싸우게 될지는 몰라\N하지만 분명 전쟁이 일어날걸세
|
||||
Dialogue: 0,0:00:56.01,0:01:00.09,Default,,0,0,0,,\NI don't know when, I don't know who\Nwould be fighting, but it's coming.
|
||||
Dialogue: 0,0:01:01.10,0:01:01.10,Default,,0,0,0,,\N이야기의 핵심은 두 주요 가문의\N권력을 둘러싼 갈등입니다
|
||||
Dialogue: 0,0:01:01.10,0:01:07.04,Default,,0,0,0,,\N{\i1}At the core of it there's a conflict for\Npower between two great houses initially.{\i0}
|
||||
Dialogue: 0,0:01:07.16,0:01:07.16,Default,,0,0,0,,\N스타크 가문과 라니스터 가문이죠
|
||||
Dialogue: 0,0:01:07.16,0:01:10.04,Default,,0,0,0,,\NHouse Stark and House Lannister.
|
||||
Dialogue: 0,0:01:10.16,0:01:10.16,Default,,0,0,0,,\N그 외에 여러 가문이\N서로 경쟁합니다
|
||||
Dialogue: 0,0:01:10.16,0:01:13.25,Default,,0,0,0,,\NThe other major houses are\Nall contenders as well.
|
||||
Dialogue: 0,0:01:13.37,0:01:13.37,Default,,0,0,0,,\N흥미진진하게 정치적으로\N얽혀있는 상황이죠
|
||||
Dialogue: 0,0:01:13.37,0:01:16.11,Default,,0,0,0,,\NIt's a suitably complicated\Npolitical situation.
|
||||
Dialogue: 0,0:01:16.34,0:01:16.34,Default,,0,0,0,,\N옛 말에 "권력은 부패한다"라죠
|
||||
Dialogue: 0,0:01:16.34,0:01:18.80,Default,,0,0,0,,\NThe old truth "the power corrupts",\NI think
|
||||
Dialogue: 0,0:01:18.92,0:01:18.92,Default,,0,0,0,,\N옳은 말입니다\N이 작품에서도 드러나죠
|
||||
Dialogue: 0,0:01:18.92,0:01:21.66,Default,,0,0,0,,\Nit's very valid and it\Nshows in this series.
|
||||
Dialogue: 0,0:01:21.78,0:01:21.78,Default,,0,0,0,,\N권력을 얻은 등장인물들이\N어떻게 변해가는지 보시게 될겁니다
|
||||
Dialogue: 0,0:01:21.78,0:01:24.59,Default,,0,0,0,,\NYou see characters come into\Npower and how they change.
|
||||
Dialogue: 0,0:01:24.71,0:01:24.71,Default,,0,0,0,,\N그렇게 등장인물들은\N대의를 보는 시야를 잃어가고
|
||||
Dialogue: 0,0:01:24.71,0:01:28.86,Default,,0,0,0,,\NIn a way it's about how people\Nforget to see the bigger picture,
|
||||
Dialogue: 0,0:01:28.98,0:01:28.98,Default,,0,0,0,,\N사리사욕을 쫒는데 정신이 팔려\N공공의 위협을 외면하게 되죠
|
||||
Dialogue: 0,0:01:28.98,0:01:33.89,Default,,0,0,0,,\N{\u1}this common threat, that everybody\Nkind of ignores, because they're too busy{\u0}
|
||||
Dialogue: 0,0:01:34.01,0:01:35.24,Default,,0,0,0,,\Npursuing their own interests.
|
||||
Dialogue: 0,0:01:35.36,0:01:35.36,Default,,0,0,0,,\N한편, 일곱 왕국의 밖에서는\N두 개의 거대한 위협이 부상합니다
|
||||
Dialogue: 0,0:01:35.36,0:01:40.23,Default,,0,0,0,,\N{\fs30}And meanwhile, outside the Seven\NKingdoms, two great threats arising.{\fs}
|
||||
Dialogue: 0,0:01:40.35,0:01:40.35,Default,,0,0,0,,\N하나는 바다 건너\N타가리엔 일족 유배자들이며
|
||||
Dialogue: 0,0:01:40.35,0:01:44.06,Default,,0,0,0,,\NOne across the sea, in the exile\NTargaryen siblings,
|
||||
Dialogue: 0,0:01:44.17,0:01:44.17,Default,,0,0,0,,\N또 하나는 일곱 왕국의\N국경이 자리잡은
|
||||
Dialogue: 0,0:01:44.17,0:01:47.39,Default,,0,0,0,,\Nand another far to the north,\Nbeyond the Wall,
|
||||
Dialogue: 0,0:01:47.51,0:01:47.51,Default,,0,0,0,,\N저 멀리 북쪽 장벽 너머\N초자연적인 존재들이 도사리는
|
||||
Dialogue: 0,0:01:47.51,0:01:50.07,Default,,0,0,0,,\Nwhich is the boundary\Nof the Seven Kingdoms,
|
||||
Dialogue: 0,0:01:50.18,0:01:50.18,Default,,0,0,0,,\N춥디 추운 땅에서 일어납니다
|
||||
Dialogue: 0,0:01:50.18,0:01:55.28,Default,,0,0,0,,\Nin lands of perpetual ice and cold,\Nwhere supernatural threat is stirring.
|
||||
Dialogue: 0,0:01:56.45,0:01:56.45,Default,,0,0,0,,\N기존의 어떤 작품과도 다릅니다
|
||||
Dialogue: 0,0:01:56.45,0:02:00.45,Default,,0,0,0,,\NIt's very different from\Nanything that's been done.
|
||||
Dialogue: 0,0:02:00.58,0:02:00.58,Default,,0,0,0,,\N이 작품처럼 어두운 판타지는\N없을거라고 봅니다
|
||||
Dialogue: 0,0:02:00.58,0:02:03.97,Default,,0,0,0,,\NI can't think of another fantasy\Nwhich is as dark as this one is,
|
||||
Dialogue: 0,0:02:04.09,0:02:04.09,Default,,0,0,0,,\N아주 적나라하고 현실적이죠
|
||||
Dialogue: 0,0:02:04.09,0:02:05.65,Default,,0,0,0,,\Nwhich is as gritty and as real.
|
||||
Dialogue: 0,0:02:05.77,0:02:05.77,Default,,0,0,0,,\N등장인물 하나 하나가\N매우 심도깊습니다
|
||||
Dialogue: 0,0:02:05.77,0:02:08.18,Default,,0,0,0,,\NEvery single character\Nis incredibly complex.
|
||||
Dialogue: 0,0:02:08.30,0:02:08.30,Default,,0,0,0,,\N보여주는 모습만으로\N생기는 고정관념으로는
|
||||
Dialogue: 0,0:02:08.30,0:02:09.33,Default,,0,0,0,,\NYou think you know them.
|
||||
Dialogue: 0,0:02:09.45,0:02:09.45,Default,,0,0,0,,\N등장인물을 제대로 이해했다고\N할 수 없습니다
|
||||
Dialogue: 0,0:02:09.45,0:02:14.14,Default,,0,0,0,,\NYou think you got them pegged as what\Nthey seemingly are but they really aren't.
|
||||
Dialogue: 0,0:02:14.25,0:02:14.25,Default,,0,0,0,,\N신하 중에서 전적으로\N신뢰할 수 있는 이가 있습니까?
|
||||
Dialogue: 0,0:02:14.25,0:02:17.66,Default,,0,0,0,,\NIs there someone in your service\Nwhom you trust completely?
|
||||
Dialogue: 0,0:02:17.78,0:02:17.78,Default,,0,0,0,,\N있네
|
||||
Dialogue: 0,0:02:17.78,0:02:18.84,Default,,0,0,0,,\NYes.
|
||||
Dialogue: 0,0:02:18.96,0:02:18.96,Default,,0,0,0,,\N"없다"라고 대답하셔야\N현명하신겁니다, 전하
|
||||
Dialogue: 0,0:02:18.96,0:02:21.27,Default,,0,0,0,,\NThe wiser answer was "no", my lord.
|
||||
Dialogue: 0,0:02:21.53,0:02:21.53,Default,,0,0,0,,\N이분법적인 선악의\N이야기가 아닙니다
|
||||
Dialogue: 0,0:02:21.53,0:02:23.63,Default,,0,0,0,,\NIt's not a good guys/bad guys story.
|
||||
Dialogue: 0,0:02:23.75,0:02:23.75,Default,,0,0,0,,\N모두가 나름의 가치를\N추구하고
|
||||
Dialogue: 0,0:02:23.75,0:02:26.40,Default,,0,0,0,,\NIt's a story where everybody is\Npursuing their own interests
|
||||
Dialogue: 0,0:02:26.52,0:02:26.52,Default,,0,0,0,,\N나름의 규칙을 따르면서
|
||||
Dialogue: 0,0:02:26.52,0:02:29.67,Default,,0,0,0,,\Nand everybody's following their own\Ncode and it's about those interests
|
||||
Dialogue: 0,0:02:29.79,0:02:29.79,Default,,0,0,0,,\N서로의 가치와 윤리가\N충돌하게 되는 이야기입니다
|
||||
Dialogue: 0,0:02:29.79,0:02:33.35,Default,,0,0,0,,\Nand those ethics coming into\Nconflict with each other.
|
||||
Dialogue: 0,0:02:33.47,0:02:33.47,Default,,0,0,0,,\N영웅이 악당을 물리치는 이야기보다
|
||||
Dialogue: 0,0:02:33.47,0:02:37.58,Default,,0,0,0,,\NAnd it provides a much richer story\Nthan the guys in white
|
||||
Dialogue: 0,0:02:38.58,0:02:38.58,Default,,0,0,0,,\Nby Psyence Fictionist\Npsyencefictionist@gmail.com
|
||||
Dialogue: 0,0:02:38.58,0:02:39.58,Default,,0,0,0,,\NSync by: honeybunny and Kerensky\Nwww.Addic7ed.com
|
||||
|
||||
@ -1,51 +1,51 @@
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
|
||||
ScriptType: v4.00+
|
||||
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|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
|
||||
|
||||
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|
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Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
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Dialogue: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Don't show this text it may be used to insert hidden data
|
||||
Dialogue: 0,0:00:01.50,0:00:04.50,Default,,0,0,0,,SubRip subtitles capability tester 1.3o by ale5000\N{\b1}{\i1}Use VLC 1.1 or higher as reference for most things and MPC Home Cinema for others{\i0}{\b0}\N{\c&HFF0000&}This text should be blue{\c}\N{\c&HFF&}This text should be red{\c}\N{\c&H0&}This text should be black{\c}\N{\fnWebdings}If you see this with the normal font, the player don't (fully) support font face{\fn}
|
||||
Dialogue: 0,0:00:04.50,0:00:04.50,Default,,0,0,0,,Hidden
|
||||
Dialogue: 0,0:00:04.50,0:00:07.50,Default,,0,0,0,,{\fs8}This text should be small{\fs}\NThis text should be normal\N{\fs35}This text should be big{\fs}
|
||||
Dialogue: 0,0:00:07.50,0:00:11.50,Default,,0,0,0,,This should be an E with an accent: È\N日本語\N{\fs30}{\b1}{\i1}{\u1}This text should be bold, italics and underline{\u0}{\i0}{\b0}{\fs}\N{\fs9}{\c&HFF00&}This text should be small and green{\fs}{\c}\N{\c&HFF&}{\fs9}This text should be small and red{\fs}{\c}\N{\c&H2A2AA5&}{\fs24}This text should be big and brown{\fs}{\c}
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||||
Dialogue: 0,0:00:11.50,0:00:14.50,Default,,0,0,0,,{\b1}This line should be bold{\b0}\N{\i1}This line should be italics{\i0}\N{\u1}This line should be underline{\u0}\N{\s1}This line should be strikethrough{\s0}\N{\u1}Both lines\Nshould be underline{\u0}
|
||||
Dialogue: 0,0:00:14.50,0:00:17.50,Default,,0,0,0,,>\NIt would be a good thing to\Nhide invalid html tags that are closed and show the text in them\Nbut show un-closed invalid html tags\NShow not opened tags\N<
|
||||
Dialogue: 0,0:00:17.50,0:00:20.50,Default,,0,0,0,,and also\Nhide invalid html tags with parameters that are closed and show the text in them\Nbut show un-closed invalid html tags\N{\u1}This text should be showed underlined without problems also: 2<3,5>1,4<6{\u0}\NThis shouldn't be underlined
|
||||
Dialogue: 0,0:00:20.50,0:00:21.50,Default,,0,0,0,,This text should be in the normal position...
|
||||
Dialogue: 0,0:00:21.50,0:00:22.50,Default,,0,0,0,,{\an5}{\pos(0,45)}This text should NOT be in the normal position
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,Implementation is the same of the ASS tag\N{\an8}This text should be at the\Ntop and horizontally centered
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,{\an5}This text should be at the\Nmiddle and horizontally centered
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,{\an2}This text should be at the\Nbottom and horizontally centered
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,This text should be at the\Ntop and horizontally at the left{\an7}
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,{\an4}This text should be at the\Nmiddle and horizontally at the left\N(The second position must be ignored)
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,{\an1}This text should be at the\Nbottom and horizontally at the left
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an9}This text should be at the\Ntop and horizontally at the right
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an6}This text should be at the\Nmiddle and horizontally at the right
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an3}This text should be at the\Nbottom and horizontally at the right
|
||||
Dialogue: 0,0:00:28.50,0:00:31.50,Default,,0,0,0,,{\c&HFF00&}{\fs6}This could be the {\fs35}m{\c&H0&}o{\c&HFF00&}st{\fs6} difficult thing to implement{\fs}{\c}
|
||||
Dialogue: 0,0:00:31.50,0:00:50.50,Default,,0,0,0,,First text
|
||||
Dialogue: 0,0:00:33.50,0:00:35.50,Default,,0,0,0,,Second, it shouldn't overlap first
|
||||
Dialogue: 0,0:00:35.50,0:00:37.50,Default,,0,0,0,,Third, it should replace second
|
||||
Dialogue: 0,0:00:36.50,0:00:50.50,Default,,0,0,0,,Fourth, it shouldn't overlap first and third
|
||||
Dialogue: 0,0:00:40.50,0:00:45.50,Default,,0,0,0,,Fifth, it should replace third
|
||||
Dialogue: 0,0:00:45.50,0:00:50.50,Default,,0,0,0,,Sixth, it shouldn't be\Nshowed overlapped
|
||||
Dialogue: 0,0:00:50.50,0:00:52.50,Default,,0,0,0,,TEXT 1 (bottom)
|
||||
Dialogue: 0,0:00:50.50,0:00:52.50,Default,,0,0,0,,text 2
|
||||
Dialogue: 0,0:00:52.50,0:00:54.50,Default,,0,0,0,,Hide these tags:\Nalso hide these tags:\Nbut show this: {normal text}
|
||||
Dialogue: 0,0:00:54.50,0:01:00.50,Default,,0,0,0,,{\an8}\N\ N is a forced line break\N\ h is a hard space\NNormal spaces at the start and at the end of the line are trimmed while hard spaces are not trimmed.\NThe\hline\hwill\hnever\hbreak\hautomatically\hright\hbefore\hor\hafter\ha\hhard\hspace.\h:-D
|
||||
Dialogue: 0,0:00:54.50,0:00:56.50,Default,,0,0,0,,{\an1}\N\h\h\h\h\hA (05 hard spaces followed by a letter)\NA (Normal spaces followed by a letter)\NA (No hard spaces followed by a letter)
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||||
Dialogue: 0,0:00:56.50,0:00:58.50,Default,,0,0,0,,\h\h\h\h\hA (05 hard spaces followed by a letter)\NA (Normal spaces followed by a letter)\NA (No hard spaces followed by a letter)\NShow this: \TEST and this: \-)
|
||||
Dialogue: 0,0:00:58.50,0:01:00.50,Default,,0,0,0,,{\an3}\NA letter followed by 05 hard spaces: A\h\h\h\h\h\NA letter followed by normal spaces: A\NA letter followed by no hard spaces: A\N05 hard spaces between letters: A\h\h\h\h\hA\N5 normal spaces between letters: A A\N\N^--Forced line break
|
||||
Dialogue: 0,0:01:00.50,0:01:02.50,Default,,0,0,0,,{\s1}Both line should be strikethrough,\Nyes.{\s0}\NCorrectly closed tags\Nshould be hidden.
|
||||
Dialogue: 0,0:01:02.50,0:01:04.50,Default,,0,0,0,,It shouldn't be strikethrough,\Nnot opened tag showed as text.{\s0}\NNot opened tag showed as text.
|
||||
Dialogue: 0,0:01:04.50,0:01:06.50,Default,,0,0,0,,{\s1}Three lines should be strikethrough,\Nyes.\NNot closed tags showed as text
|
||||
Dialogue: 0,0:01:06.50,0:01:08.50,Default,,0,0,0,,{\s1}Both line should be strikethrough but\Nthe wrong closing tag should be showed{\b0}
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[Script Info]
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||||
; Script generated by FFmpeg/Lavc
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||||
ScriptType: v4.00+
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||||
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ScaledBorderAndShadow: yes
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Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
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Dialogue: 0,0:00:00.00,0:00:00.00,Default,,0,0,0,,Don't show this text it may be used to insert hidden data
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Dialogue: 0,0:00:01.50,0:00:04.50,Default,,0,0,0,,SubRip subtitles capability tester 1.3o by ale5000\N{\b1}{\i1}Use VLC 1.1 or higher as reference for most things and MPC Home Cinema for others{\i0}{\b0}\N{\c&HFF0000&}This text should be blue{\c}\N{\c&HFF&}This text should be red{\c}\N{\c&H0&}This text should be black{\c}\N{\fnWebdings}If you see this with the normal font, the player don't (fully) support font face{\fn}
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Dialogue: 0,0:00:04.50,0:00:04.50,Default,,0,0,0,,Hidden
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Dialogue: 0,0:00:04.50,0:00:07.50,Default,,0,0,0,,{\fs8}This text should be small{\fs}\NThis text should be normal\N{\fs35}This text should be big{\fs}
|
||||
Dialogue: 0,0:00:07.50,0:00:11.50,Default,,0,0,0,,This should be an E with an accent: È\N日本語\N{\fs30}{\b1}{\i1}{\u1}This text should be bold, italics and underline{\u0}{\i0}{\b0}{\fs}\N{\fs9}{\c&HFF00&}This text should be small and green{\fs}{\c}\N{\c&HFF&}{\fs9}This text should be small and red{\fs}{\c}\N{\c&H2A2AA5&}{\fs24}This text should be big and brown{\fs}{\c}
|
||||
Dialogue: 0,0:00:11.50,0:00:14.50,Default,,0,0,0,,{\b1}This line should be bold{\b0}\N{\i1}This line should be italics{\i0}\N{\u1}This line should be underline{\u0}\N{\s1}This line should be strikethrough{\s0}\N{\u1}Both lines\Nshould be underline{\u0}
|
||||
Dialogue: 0,0:00:14.50,0:00:17.50,Default,,0,0,0,,>\NIt would be a good thing to\Nhide invalid html tags that are closed and show the text in them\Nbut show un-closed invalid html tags\NShow not opened tags\N<
|
||||
Dialogue: 0,0:00:17.50,0:00:20.50,Default,,0,0,0,,and also\Nhide invalid html tags with parameters that are closed and show the text in them\Nbut show un-closed invalid html tags\N{\u1}This text should be showed underlined without problems also: 2<3,5>1,4<6{\u0}\NThis shouldn't be underlined
|
||||
Dialogue: 0,0:00:20.50,0:00:21.50,Default,,0,0,0,,This text should be in the normal position...
|
||||
Dialogue: 0,0:00:21.50,0:00:22.50,Default,,0,0,0,,{\an5}{\pos(0,45)}This text should NOT be in the normal position
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,Implementation is the same of the ASS tag\N{\an8}This text should be at the\Ntop and horizontally centered
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,{\an5}This text should be at the\Nmiddle and horizontally centered
|
||||
Dialogue: 0,0:00:22.50,0:00:24.50,Default,,0,0,0,,{\an2}This text should be at the\Nbottom and horizontally centered
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,This text should be at the\Ntop and horizontally at the left{\an7}
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,{\an4}This text should be at the\Nmiddle and horizontally at the left\N(The second position must be ignored)
|
||||
Dialogue: 0,0:00:24.50,0:00:26.50,Default,,0,0,0,,{\an1}This text should be at the\Nbottom and horizontally at the left
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an9}This text should be at the\Ntop and horizontally at the right
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an6}This text should be at the\Nmiddle and horizontally at the right
|
||||
Dialogue: 0,0:00:26.50,0:00:28.50,Default,,0,0,0,,{\an3}This text should be at the\Nbottom and horizontally at the right
|
||||
Dialogue: 0,0:00:28.50,0:00:31.50,Default,,0,0,0,,{\c&HFF00&}{\fs6}This could be the {\fs35}m{\c&H0&}o{\c&HFF00&}st{\fs6} difficult thing to implement{\fs}{\c}
|
||||
Dialogue: 0,0:00:31.50,0:00:50.50,Default,,0,0,0,,First text
|
||||
Dialogue: 0,0:00:33.50,0:00:35.50,Default,,0,0,0,,Second, it shouldn't overlap first
|
||||
Dialogue: 0,0:00:35.50,0:00:37.50,Default,,0,0,0,,Third, it should replace second
|
||||
Dialogue: 0,0:00:36.50,0:00:50.50,Default,,0,0,0,,Fourth, it shouldn't overlap first and third
|
||||
Dialogue: 0,0:00:40.50,0:00:45.50,Default,,0,0,0,,Fifth, it should replace third
|
||||
Dialogue: 0,0:00:45.50,0:00:50.50,Default,,0,0,0,,Sixth, it shouldn't be\Nshowed overlapped
|
||||
Dialogue: 0,0:00:50.50,0:00:52.50,Default,,0,0,0,,TEXT 1 (bottom)
|
||||
Dialogue: 0,0:00:50.50,0:00:52.50,Default,,0,0,0,,text 2
|
||||
Dialogue: 0,0:00:52.50,0:00:54.50,Default,,0,0,0,,Hide these tags:\Nalso hide these tags:\Nbut show this: {normal text}
|
||||
Dialogue: 0,0:00:54.50,0:01:00.50,Default,,0,0,0,,{\an8}\N\ N is a forced line break\N\ h is a hard space\NNormal spaces at the start and at the end of the line are trimmed while hard spaces are not trimmed.\NThe\hline\hwill\hnever\hbreak\hautomatically\hright\hbefore\hor\hafter\ha\hhard\hspace.\h:-D
|
||||
Dialogue: 0,0:00:54.50,0:00:56.50,Default,,0,0,0,,{\an1}\N\h\h\h\h\hA (05 hard spaces followed by a letter)\NA (Normal spaces followed by a letter)\NA (No hard spaces followed by a letter)
|
||||
Dialogue: 0,0:00:56.50,0:00:58.50,Default,,0,0,0,,\h\h\h\h\hA (05 hard spaces followed by a letter)\NA (Normal spaces followed by a letter)\NA (No hard spaces followed by a letter)\NShow this: \TEST and this: \-)
|
||||
Dialogue: 0,0:00:58.50,0:01:00.50,Default,,0,0,0,,{\an3}\NA letter followed by 05 hard spaces: A\h\h\h\h\h\NA letter followed by normal spaces: A\NA letter followed by no hard spaces: A\N05 hard spaces between letters: A\h\h\h\h\hA\N5 normal spaces between letters: A A\N\N^--Forced line break
|
||||
Dialogue: 0,0:01:00.50,0:01:02.50,Default,,0,0,0,,{\s1}Both line should be strikethrough,\Nyes.{\s0}\NCorrectly closed tags\Nshould be hidden.
|
||||
Dialogue: 0,0:01:02.50,0:01:04.50,Default,,0,0,0,,It shouldn't be strikethrough,\Nnot opened tag showed as text.{\s0}\NNot opened tag showed as text.
|
||||
Dialogue: 0,0:01:04.50,0:01:06.50,Default,,0,0,0,,{\s1}Three lines should be strikethrough,\Nyes.\NNot closed tags showed as text
|
||||
Dialogue: 0,0:01:06.50,0:01:08.50,Default,,0,0,0,,{\s1}Both line should be strikethrough but\Nthe wrong closing tag should be showed{\b0}
|
||||
|
||||
@ -1,24 +1,24 @@
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
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||||
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||||
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|
||||
PlayResY: 288
|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
|
||||
Dialogue: 0,0:00:01.00,0:00:02.31,Default,,0,0,0,,<<<<<< Antes <<<<<<\NEla é hum...
|
||||
Dialogue: 0,0:01:10.00,0:01:14.50,Default,,0,0,0,,>>> RebelSubTeam <<<
|
||||
Dialogue: 0,0:02:37.75,0:02:43.70,Default,,0,0,0,,{\b1}~ASUKO MARCH!~\N>>:<<\Ntranslation by: cangii\NRetiming by: furransu{\b0}
|
||||
Dialogue: 0,0:03:38.32,0:03:42.78,Default,,0,0,0,,<<THE HIGH ROLLERS>>\N<<Grandes Jogadores>>
|
||||
Dialogue: 0,0:04:50.43,0:05:01.03,Default,,0,0,0,,<<flash gordon\Npisode 4\Nsaison 1>\Nwww.SeriesSub.com>
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||||
Dialogue: 0,0:20:31.85,0:20:56.84,Default,,0,0,0,,{\c&HFFFF&}\N<<<<www.egfire.com>>>>{\c}
|
||||
Dialogue: 0,0:37:59.69,0:38:01.59,Default,,0,0,0,,mint asztalt foglaltatni\Na <<>Le Cirque-ben.
|
||||
Dialogue: 0,0:53:43.78,0:53:45.94,Default,,0,0,0,,<<That's OK, >> - he calmed himself.
|
||||
Dialogue: 0,0:53:46.22,0:53:49.09,Default,,0,0,0,,<<lt's not a long way to the hotel,\Nthe hotel is within easy reach.
|
||||
Dialogue: 0,2:11:00.74,2:11:05.54,Default,,0,0,0,,{\b1}<<< ÓÍÀÊÑ ÒÈÉÌ < 2015 > UNACS TEAM >>>{\b0}
|
||||
[Script Info]
|
||||
; Script generated by FFmpeg/Lavc
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||||
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||||
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|
||||
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|
||||
ScaledBorderAndShadow: yes
|
||||
YCbCr Matrix: None
|
||||
|
||||
[V4+ Styles]
|
||||
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
|
||||
Style: Default,Arial,16,&Hffffff,&Hffffff,&H0,&H0,0,0,0,0,100,100,0,0,1,1,0,2,10,10,10,1
|
||||
|
||||
[Events]
|
||||
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||||
Dialogue: 0,0:00:01.00,0:00:02.31,Default,,0,0,0,,<<<<<< Antes <<<<<<\NEla é hum...
|
||||
Dialogue: 0,0:01:10.00,0:01:14.50,Default,,0,0,0,,>>> RebelSubTeam <<<
|
||||
Dialogue: 0,0:02:37.75,0:02:43.70,Default,,0,0,0,,{\b1}~ASUKO MARCH!~\N>>:<<\Ntranslation by: cangii\NRetiming by: furransu{\b0}
|
||||
Dialogue: 0,0:03:38.32,0:03:42.78,Default,,0,0,0,,<<THE HIGH ROLLERS>>\N<<Grandes Jogadores>>
|
||||
Dialogue: 0,0:04:50.43,0:05:01.03,Default,,0,0,0,,<<flash gordon\Npisode 4\Nsaison 1>\Nwww.SeriesSub.com>
|
||||
Dialogue: 0,0:20:31.85,0:20:56.84,Default,,0,0,0,,{\c&HFFFF&}\N<<<<www.egfire.com>>>>{\c}
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||||
Dialogue: 0,0:37:59.69,0:38:01.59,Default,,0,0,0,,mint asztalt foglaltatni\Na <<>Le Cirque-ben.
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||||
Dialogue: 0,0:53:43.78,0:53:45.94,Default,,0,0,0,,<<That's OK, >> - he calmed himself.
|
||||
Dialogue: 0,0:53:46.22,0:53:49.09,Default,,0,0,0,,<<lt's not a long way to the hotel,\Nthe hotel is within easy reach.
|
||||
Dialogue: 0,2:11:00.74,2:11:05.54,Default,,0,0,0,,{\b1}<<< ÓÍÀÊÑ ÒÈÉÌ < 2015 > UNACS TEAM >>>{\b0}
|
||||
|
||||
@ -1,84 +1,84 @@
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||||
[Script Info]
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||||
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||||
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||||
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||||
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|
||||
PlayResY: 534
|
||||
PlayResX: 720
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||||
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||||
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|
||||
Video File: 01-.mkv
|
||||
Video Aspect Ratio: 1
|
||||
Video Zoom: 8
|
||||
Video Position: 36805
|
||||
Last Style Storage: Default
|
||||
Export Encoding: UTF-8
|
||||
Export filters: Karaoke template
|
||||
Title: Alien Nine 01
|
||||
Original Script: ?
|
||||
Original Translation: ?
|
||||
Original Editing: ?
|
||||
Original Timing: ?
|
||||
Synch Point: ?
|
||||
Script Updated By: lM
|
||||
Update Details: Kareoke by Pahndamonium
|
||||
|
||||
[V4 Styles]
|
||||
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||||
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||||
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||||
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[Events]
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Dialogue: Marked=0,0:00:02.42,0:00:03.00,*Default,,0000,0000 ,0000,,{\fnComic Sans MS\c&HFF80FF&}All Japan Boys Soccer Tournament Opens!
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Dialogue: Marked=0,0:00:59.60,0:01:00.60,Default,NTP,0000,0000,0000,,Tak tady jsi...
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Dialogue: Marked=0,0:01:00.81,0:01:01.39,Default,NTP,0000,0000,0000,,Ahoj.
|
||||
Dialogue: Marked=0,0:01:01.52,0:01:03.98,Default,NTP,0000,0000,0000,,Pojď se mnou.
|
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Dialogue: Marked=0,0:01:19.71,0:01:30.26,*Default,SONG,0000,0000,0092,,When you hear the bell of Chirin,...
|
||||
Dialogue: Marked=0,0:01:30.26,0:01:40.46,*Default,SONG,0000,0000,0000,,YASASHII MATSUGE WO HOHOEMI WO
|
||||
Dialogue: Marked=0,0:01:30.26,0:01:40.46,*Default,SONG,0000,0000,0092,,...recall those soft lashes and that gentle smile.
|
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Dialogue: Marked=0,0:01:40.46,0:01:50.72,*Default,SONG,0000,0000,0000,,CHIRIN NO SUZU DE OMOIDASU
|
||||
Dialogue: Marked=0,0:04:45.67,0:04:48.37,*Default,,0000,0000,0000,,{My Eight-Six turned into an Eight-Five ? !}¡¿Mi Hachi-Roku se ha\nconvertido en un Hachi-Go?!
|
||||
Dialogue: Marked=0,0:04:48.97,0:04:51.70,*Default,,0000,0000,0000,,{\c&HFFFFFF&}Tomé el auto prestado,\nte dejé un sustituto.
|
||||
Dialogue: Marked=0,0:05:01.52,0:05:04.12,*Default,,0000,0000,0000,,{Takumi,Your dad must be really surprised by now. . .}Ahora mismo tu padre\ndebe estar en shock.
|
||||
Dialogue: Marked=0,0:00:15.15,0:00:16.30,Default,Voice,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:16.93,0:00:18.17,Default,,0000,0000,0000,,Otani-san...
|
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Dialogue: Marked=0,0:00:18.00,0:00:21.18,Signs,Sign,0000,0000,0000,,{\a6}Sixth Grade Camellia Class
|
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Dialogue: Marked=0,0:00:18.58,0:00:19.80,Default,Voice,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:20.45,0:00:21.64,Default,,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:21.38,0:00:25.88,Signs,Chalkboard,0000,0000,0000,,{\a6}Alien Counter-Measure Officer
|
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Dialogue: Marked=0,0:00:22.55,0:00:23.91,Default,Voice,0000,0000,0000,,Otani-san...
|
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Dialogue: Marked=0,0:00:24.35,0:00:25.46,Default,,0000,0000,0000,,Furukawa-san...
|
||||
Dialogue: Marked=0,0:00:26.05,0:00:27.23,Signs,Board,0000,0000,0000,,{\a6}Otani Furukawa Tatsuta
|
||||
Dialogue: Marked=0,0:01:04.66,0:01:05.87,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k15}Fu{\k22}tsu{\k11}u {\k25}ja {\k13}na{\k39}i
|
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Dialogue: Marked=0,0:01:05.93,0:01:07.43,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k30}A{\k30}sa {\k17}ga {\k23}ki{\k50}te
|
||||
Dialogue: Marked=0,0:01:07.60,0:01:10.60,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k27}Na{\k8}i{\k23}fu {\k19}no {\k18}sa{\k32}sa{\k9}t{\k28}ta {\k18}ha{\k9}a{\k28}to {\k18}ga {\k14}u{\k27}zu{\k22}ku
|
||||
Dialogue: Marked=0,0:01:10.71,0:01:11.99,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k22}Ne{\k21}bo{\k8}u {\k29}shi{\k23}ta{\k25}i
|
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Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,Text,0029,0427,0322,,{\pos(169,215)}Elementary School #9
|
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Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,,0030,0279,0371,,{\pos(220,251)}Alien Counter-Measure Officers
|
||||
Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,,0398,0209,0038,,{\pos(617,413)}The End
|
||||
Dialogue: Marked=0,0:25:35.06,0:25:36.67,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(92,470)}{0}{\k25}To{\k43}ki-{\k32}do{\kf61}ki
|
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Dialogue: Marked=0,0:25:36.68,0:25:40.69,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(125,471)}{0}{\k46}Ko{\k27}no {\k46}ka{\k36}ra{\k47}da {\kf200}ga
|
||||
Dialogue: Marked=0,0:25:45.04,0:25:47.97,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(132,471)}{\k35}Yo{\k28}ro{\k41}ko{\k35}bi {\k28}na {\k26}no {\k100}ka
|
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Dialogue: Marked=0,0:25:47.98,0:25:50.22,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(143,473)}{\k14}Ka{\k20}na{\k26}shi{\k15}mi {\k32}na {\k65}no {\k52}ka
|
||||
Dialogue: Marked=0,0:25:35.06,0:25:36.67,SongED,,0000,0000,0000,,{\fs24\pos(100,521)}Sometimes
|
||||
Dialogue: Marked=0,0:25:36.68,0:25:40.69,SongED,,0000,0000,0000,,{\fs24\pos(136,522)}Whether this body
|
||||
Dialogue: Marked=0,0:25:45.04,0:25:47.97,SongED,,0000,0000,0000,,{\fs24\pos(107,520)}Is happiness
|
||||
Dialogue: Marked=0,0:25:47.98,0:25:50.22,SongED,,0000,0000,0000,,{\fs24\pos(100,521)}Or sadness
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
[Script Info]
|
||||
; Script generated by Aegisub 2.1.7
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|
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Video Aspect Ratio: 1
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||||
Video Zoom: 8
|
||||
Video Position: 36805
|
||||
Last Style Storage: Default
|
||||
Export Encoding: UTF-8
|
||||
Export filters: Karaoke template
|
||||
Title: Alien Nine 01
|
||||
Original Script: ?
|
||||
Original Translation: ?
|
||||
Original Editing: ?
|
||||
Original Timing: ?
|
||||
Synch Point: ?
|
||||
Script Updated By: lM
|
||||
Update Details: Kareoke by Pahndamonium
|
||||
|
||||
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Style: Song (romaji) ED,Verdana,30,7363111,8454016,0,16777215,-1,-1,1,2,0,6,30,30,16,0,0
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[Events]
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Dialogue: Marked=0,0:00:02.42,0:00:03.00,*Default,,0000,0000 ,0000,,{\fnComic Sans MS\c&HFF80FF&}All Japan Boys Soccer Tournament Opens!
|
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Dialogue: Marked=0,0:00:59.60,0:01:00.60,Default,NTP,0000,0000,0000,,Tak tady jsi...
|
||||
Dialogue: Marked=0,0:01:00.81,0:01:01.39,Default,NTP,0000,0000,0000,,Ahoj.
|
||||
Dialogue: Marked=0,0:01:01.52,0:01:03.98,Default,NTP,0000,0000,0000,,Pojď se mnou.
|
||||
Dialogue: Marked=0,0:01:19.71,0:01:30.26,*Default,SONG,0000,0000,0092,,When you hear the bell of Chirin,...
|
||||
Dialogue: Marked=0,0:01:30.26,0:01:40.46,*Default,SONG,0000,0000,0000,,YASASHII MATSUGE WO HOHOEMI WO
|
||||
Dialogue: Marked=0,0:01:30.26,0:01:40.46,*Default,SONG,0000,0000,0092,,...recall those soft lashes and that gentle smile.
|
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Dialogue: Marked=0,0:01:40.46,0:01:50.72,*Default,SONG,0000,0000,0000,,CHIRIN NO SUZU DE OMOIDASU
|
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Dialogue: Marked=0,0:04:45.67,0:04:48.37,*Default,,0000,0000,0000,,{My Eight-Six turned into an Eight-Five ? !}¡¿Mi Hachi-Roku se ha\nconvertido en un Hachi-Go?!
|
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Dialogue: Marked=0,0:04:48.97,0:04:51.70,*Default,,0000,0000,0000,,{\c&HFFFFFF&}Tomé el auto prestado,\nte dejé un sustituto.
|
||||
Dialogue: Marked=0,0:05:01.52,0:05:04.12,*Default,,0000,0000,0000,,{Takumi,Your dad must be really surprised by now. . .}Ahora mismo tu padre\ndebe estar en shock.
|
||||
Dialogue: Marked=0,0:00:15.15,0:00:16.30,Default,Voice,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:16.93,0:00:18.17,Default,,0000,0000,0000,,Otani-san...
|
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Dialogue: Marked=0,0:00:18.00,0:00:21.18,Signs,Sign,0000,0000,0000,,{\a6}Sixth Grade Camellia Class
|
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Dialogue: Marked=0,0:00:18.58,0:00:19.80,Default,Voice,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:20.45,0:00:21.64,Default,,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:21.38,0:00:25.88,Signs,Chalkboard,0000,0000,0000,,{\a6}Alien Counter-Measure Officer
|
||||
Dialogue: Marked=0,0:00:22.55,0:00:23.91,Default,Voice,0000,0000,0000,,Otani-san...
|
||||
Dialogue: Marked=0,0:00:24.35,0:00:25.46,Default,,0000,0000,0000,,Furukawa-san...
|
||||
Dialogue: Marked=0,0:00:26.05,0:00:27.23,Signs,Board,0000,0000,0000,,{\a6}Otani Furukawa Tatsuta
|
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Dialogue: Marked=0,0:01:04.66,0:01:05.87,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k15}Fu{\k22}tsu{\k11}u {\k25}ja {\k13}na{\k39}i
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Dialogue: Marked=0,0:01:05.93,0:01:07.43,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k30}A{\k30}sa {\k17}ga {\k23}ki{\k50}te
|
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Dialogue: Marked=0,0:01:07.60,0:01:10.60,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k27}Na{\k8}i{\k23}fu {\k19}no {\k18}sa{\k32}sa{\k9}t{\k28}ta {\k18}ha{\k9}a{\k28}to {\k18}ga {\k14}u{\k27}zu{\k22}ku
|
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Dialogue: Marked=0,0:01:10.71,0:01:11.99,Song (romaji) OP,,0000,0000,0000,,{2c&H5D8FC3&\c&H75BADB&\2c&H5F7CC3&}{\k22}Ne{\k21}bo{\k8}u {\k29}shi{\k23}ta{\k25}i
|
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Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,Text,0029,0427,0322,,{\pos(169,215)}Elementary School #9
|
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Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,,0030,0279,0371,,{\pos(220,251)}Alien Counter-Measure Officers
|
||||
Dialogue: Marked=0,0:25:19.73,0:25:23.58,Signs,,0398,0209,0038,,{\pos(617,413)}The End
|
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Dialogue: Marked=0,0:25:35.06,0:25:36.67,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(92,470)}{0}{\k25}To{\k43}ki-{\k32}do{\kf61}ki
|
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Dialogue: Marked=0,0:25:36.68,0:25:40.69,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(125,471)}{0}{\k46}Ko{\k27}no {\k46}ka{\k36}ra{\k47}da {\kf200}ga
|
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Dialogue: Marked=0,0:25:45.04,0:25:47.97,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(132,471)}{\k35}Yo{\k28}ro{\k41}ko{\k35}bi {\k28}na {\k26}no {\k100}ka
|
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Dialogue: Marked=0,0:25:47.98,0:25:50.22,Song (romaji) ED,,0000,0000,0000,,{\c&H9C6348&\2c&H372824&\fs24\pos(143,473)}{\k14}Ka{\k20}na{\k26}shi{\k15}mi {\k32}na {\k65}no {\k52}ka
|
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Dialogue: Marked=0,0:25:35.06,0:25:36.67,SongED,,0000,0000,0000,,{\fs24\pos(100,521)}Sometimes
|
||||
Dialogue: Marked=0,0:25:36.68,0:25:40.69,SongED,,0000,0000,0000,,{\fs24\pos(136,522)}Whether this body
|
||||
Dialogue: Marked=0,0:25:45.04,0:25:47.97,SongED,,0000,0000,0000,,{\fs24\pos(107,520)}Is happiness
|
||||
Dialogue: Marked=0,0:25:47.98,0:25:50.22,SongED,,0000,0000,0000,,{\fs24\pos(100,521)}Or sadness
|
||||
|
||||
|
||||
|
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|
||||
|
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|
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@ -1,31 +1,31 @@
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[Events]
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Dialogue: 0,0:00:31.02,0:00:33.00,Default,,0,0,0,,Hello, my name is Axel Kornmesser.
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Dialogue: 0,0:00:45.02,0:00:49.13,Default,,0,0,0,,It is always a pleasure to work with ESA astronomers.
|
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Dialogue: 0,0:00:49.13,0:00:52.03,Default,,0,0,0,,The "Eyes on The Skies" documentary
|
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Dialogue: 0,0:00:52.03,0:00:55.09,Default,,0,0,0,,was our second collaboration
|
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Dialogue: 0,0:00:55.09,0:00:58.07,Default,,0,0,0,,after a great \Nexperience in 2005,
|
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Dialogue: 0,0:00:58.07,0:00:59.20,Default,,0,0,0,,when \Nwe did the story about the
|
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Dialogue: 0,0:00:59.20,0:01:04.01,Default,,0,0,0,,Hubble Telescope "15 Years of Discovery".
|
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Dialogue: 0,0:01:04.16,0:01:07.04,Default,,0,0,0,,It was a lot of fun again.
|
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Dialogue: 0,0:01:15.04,0:01:18.16,Default,,0,0,0,,We usually \N don't get the final film \Nbefore we start composing
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Dialogue: 0,0:01:18.21,0:01:22.02,Default,,0,0,0,,We had a script and many details about the story,
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Dialogue: 0,0:01:22.10,0:01:26.08,Default,,0,0,0,,and so we worked\N in parallel \Nin the movie production
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Dialogue: 0,0:02:08.13,0:02:10.23,Default,,0,0,0,,Galileo's theme is one of my favourites.
|
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Dialogue: 0,0:02:10.23,0:02:14.10,Default,,0,0,0,,We did a lot of different versions \Nabout the central theme.
|
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Dialogue: 0,0:02:14.10,0:02:18.02,Default,,0,0,0,,For the 17th century \N we used a nice harpsichord
|
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Dialogue: 0,0:02:19.05,0:02:22.09,Default,,0,0,0,,and so we landed directly into Galileo's time.
|
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[Events]
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Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
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Dialogue: 0,0:00:31.02,0:00:33.00,Default,,0,0,0,,Hello, my name is Axel Kornmesser.
|
||||
Dialogue: 0,0:00:45.02,0:00:49.13,Default,,0,0,0,,It is always a pleasure to work with ESA astronomers.
|
||||
Dialogue: 0,0:00:49.13,0:00:52.03,Default,,0,0,0,,The "Eyes on The Skies" documentary
|
||||
Dialogue: 0,0:00:52.03,0:00:55.09,Default,,0,0,0,,was our second collaboration
|
||||
Dialogue: 0,0:00:55.09,0:00:58.07,Default,,0,0,0,,after a great \Nexperience in 2005,
|
||||
Dialogue: 0,0:00:58.07,0:00:59.20,Default,,0,0,0,,when \Nwe did the story about the
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|
||||
Dialogue: 0,0:00:43.00,0:00:46.00,Default,,0,0,0,,{\i1}キツネ{\i0}じゃない キツネじゃない\N乙女おとめは
|
||||
Dialogue: 0,0:00:50.00,0:00:55.00,Default,,0,0,0,,Some time ago in a rather distant place....
|
||||
Dialogue: 0,0:00:55.00,0:01:00.00,Default,,0,0,0,,Descending: 123456\NAscending: 123456
|
||||
Dialogue: 0,0:01:00.00,0:01:05.00,Default,,0,0,0,,>> Never gonna give you up Never gonna let you down\NNever\hgonna\hrun\haround & desert\hyou
|
||||
Dialogue: 0,0:55:00.00,1:00:00.00,Default,,0,0,0,,Transcrit par Célestes™
|
||||
|
||||
Loading…
Reference in New Issue
Block a user